Posthumanist Voices in Literature and Opera

Author(s):  
Jason R. D'Aoust

From a background that critically investigates conceptualizations and understandings of the relations and dialectics between the inner and the outer voice and the discursive implications of the posthumanist appraisal of vocality, Jason D’Aoust examines the “operatic voice” or the vocality of opera as it is practiced and understood in the present period. From a philosophically informed perspective, D’Aoust engages with recent reappraisals of phonocentrism in voice studies, and analyzes artistic works from different genres, comprising opera (Mozart’s The Magic Flute), literature (Dick’s Do Androids Dream of Electric Sheep?), and film (Scott’s Blade Runner), in order to show how opera practitioners, authors, and film-makers use the sonorous imagination to deconstruct the canon.

1976 ◽  
Vol 30 (1) ◽  
pp. 45-49
Author(s):  
William Moritz
Keyword(s):  

1984 ◽  
Vol 3 (2) ◽  
pp. 157-176
Author(s):  
Malcolm S. Cole
Keyword(s):  

2020 ◽  
Vol 63 ◽  
pp. 153-178
Author(s):  
Soo-Jin Lee
Keyword(s):  

Imbizo ◽  
2020 ◽  
Vol 11 (2) ◽  
Author(s):  
Siseko H. Kumalo

South African history is such that Blackness/Indigeneity were excluded from institutions of knowledge production. Contemporarily, the traditional University is defined as an institution predicated on the abjection of Blackness. This reality neither predetermined the positions and responses, nor presupposed complete/successful erasure of Blackness/Indigeneity owing to exclusion. I contend and detail how theorising, thinking about and through the Fact of Blackness, continue(d)—using the artistic works of Mhlongo, Makeba, Mbulu, and contemporarily, Leomile as examples. Analysing the music of the abovementioned artists, a move rooted in intersectional feminist approaches, will reveal modes of theorising that characterised the artistic expressions that define(d) the country. Theory generation, so construed, necessitates a judicious philosophical consideration if we are to resurrect the Black Archive. I conclude with an introspective question aimed at inspiring similar projects in other traditions that constitute the Black Archive, i.e. African languages and literature, theatre, art practice and theory.


2020 ◽  
Vol 1 (3) ◽  
pp. 136-142
Author(s):  
Anvar Kurganov ◽  

Today, military terms can be found not only in literature, documents and codes or dictionaries, but in copies of scientific, historical and artistic works written by our ancestors in foreign languages, especially in English as well. The encyclopedic work of Zakhiriddin Muhammad Babur “Baburname”, which at one time was considered a real chronicle and still has not lost its scientific and literary value and was translated into English. Including John Leydne (1826), F.G. Talbot (1909), William Erskine, Annette Suzanne Bevridge (1921) were among them. The article compares the military terms used in the English translation by BaburnameWheeler Thaxton and Salman Rudzhi with those in the original language.


Author(s):  
Danielle Spencer

This book identifies and names the phenomenon of metagnosis: the experience of newly learning in adulthood of a long-standing condition. It can occur when the condition has remained undetected (e.g., colorblindness) and/or when the diagnostic categories themselves have shifted (e.g., ADHD). More broadly, it can occur with unexpected revelations bearing upon selfhood, such as surprising genetic test results. This phenomenon has received relatively scant attention, yet learning of an unknown condition is frequently a significant and bewildering revelation, subverting narrative expectations and customary categories. In addressing the topic this book deploys an evolution of narrative medicine as a robust research methodology comprising interdisciplinarity, narrative attentiveness, and creating a writerly text. Beginning with the author’s own experience of metagnosis, it explores the issues it raises—from communicability to narrative intelligibility to different ways of seeing. Next, it traces the distinctive metagnostic narrative arc through the stages of recognition, subversion, and renegotiation, discussing this trajectory in light of a range of metagnostic experiences, from Blade Runner to real-world midlife diagnoses. Finally, it situates metagnosis in relation to genetic revelations and the broader discourses concerning identity. Proposing that the figure of blindsight—drawn from the author’s metagnostic experience—offers a productive model for negotiating such revelations, the book suggests that better understanding metagnosis will not simply aid those directly affected but will also serve as a bellwether for how we will all navigate advancing biomedical and genomic knowledge, and how we may fruitfully interrogate the very notion of identity.


2012 ◽  
Vol 43 (3) ◽  
pp. 165-172 ◽  
Author(s):  
Mark Lussier ◽  
Kaitlin Gowan
Keyword(s):  

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