Community Poverty and Child Abuse: Sadly a Potentially Lethal Combination

2019 ◽  
pp. 127-127
Author(s):  
Lewis First
PEDIATRICS ◽  
2017 ◽  
Vol 139 (5) ◽  
pp. e20161616 ◽  
Author(s):  
Caitlin A. Farrell ◽  
Eric W. Fleegler ◽  
Michael C. Monuteaux ◽  
Celeste R. Wilson ◽  
Cindy W. Christian ◽  
...  

2019 ◽  
pp. 130-138
Author(s):  
Caitlin A. Farrell ◽  
Eric W. Fleegler ◽  
Michael C. Monuteaux ◽  
Celeste R. Wilson ◽  
Cindy W. Christian ◽  
...  

2009 ◽  
Vol 43 (8) ◽  
pp. 1-2
Author(s):  
MARY ELLEN SCHNEIDER
Keyword(s):  

2004 ◽  
Vol 15 (4) ◽  
pp. 197-203
Author(s):  
Penny Lewis†

Abstract. From my training with Marian Chace came much of the roots of my employment of dance therapy in my work. The use of empathic movement reflection assisted me in the development of the technique of somatic countertransference ( Lewis, 1984 , 1988 , 1992 ) and in the choreography of the symbiotic phase in object relations ( Lewis, 1983 , 1987a , 1988 , 1990 , 1992 ). Marian provided the foundation for assistance in separation and individuation through the use of techniques which stimulated skin (body) and external (kinespheric) boundary formation. Reciprocal embodied response and the use of thematic imaginal improvisations provided the foundation for the embodied personification of intrapsychic phenomena such as the internalized patterns, inner survival mechanisms, addictions, and the inner child. Chace’s model assisted in the development of structures for the remembering, re-experiencing, and healing of child abuse as well as the rechoreography of object relations. Finally, Marian Chace’s use of synchronistic group postural rhythmic body action provided access to the transformative power of ritual in higher stages of individuation and spiritual consciousness.


Psychotherapy ◽  
1990 ◽  
Vol 27 (4) ◽  
pp. 619-626 ◽  
Author(s):  
Jose M. Arcaya ◽  
Gwendolyn L. Gerber
Keyword(s):  

1986 ◽  
Vol 31 (10) ◽  
pp. 791-791
Author(s):  
Gary B. Melton
Keyword(s):  

1988 ◽  
Vol 33 (4) ◽  
pp. 302-303
Author(s):  
Byron Egeland
Keyword(s):  

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