scholarly journals Socioeconomic Determinants of the Awareness and Adoption of Apple Production Practices: A Case study of Balochistan, Pakistan

2022 ◽  
Vol 38 (1) ◽  
Author(s):  
Nawab Khan ◽  
Ram L. Ray ◽  
Muhammad Ihtisham ◽  
Badar Naseem Siddiqui ◽  
Muhammad Khayyam ◽  
...  
Keyword(s):  
Socioeconomic Determinants ◽  
Apple Production ◽  
Production Practices

From Film Practice to Data Process

2018 ◽  
Author(s):  
Sarah Atkinson
Keyword(s):  
Film Industry ◽  
Film Production ◽  
Profound Change ◽  
Data Process ◽  
Production Practices ◽  
Digital Film ◽  
Contemporary Britain

From Film Practice to Data Process critically examines the practices of independent digital feature filmmaking in contemporary Britain. The business of conventional feature filmmaking is like no other, in that it assembles a huge company of people from a range of disciplines on a temporary basis, all to engage in the collaborative endeavour of producing a unique, one-off piece of work. The book explicitly interrogates what is happening at the frontiers of contemporary ‘digital film’ production at a key transitional moment in 2012, when both the film industry and film-production practices were situated between the two distinct medium polarities of film and digital. With an in-depth case study of Sally Potter’s 2012 film Ginger & Rosa, drawing upon interviews with international film industry practitioners, From Film Practice to Data Process is an examination of film production in its totality, in a moment of profound change.

scholarly journals Media uses and production practices: case study with teens from Portugal, Spain and Italy

2018 ◽  
Vol 0 (33) ◽  
pp. 89-114 ◽  
Author(s):  
Sara Pereira ◽  
◽  
Pedro Moura ◽  
Maria-Jose Masanet ◽  
Gabriella Taddeo ◽  
...  
Keyword(s):  
Production Practices

Creating a farmer sustainability index: A Malaysian case study

1993 ◽  
Vol 8 (4) ◽  
pp. 175-184 ◽  
Author(s):  
Donald C. Taylor ◽  
Zainal Abidin Mohamed ◽  
Mad Nasir Shamsudin ◽  
Mohd Ghazali Mohayidin ◽  
Eddie F.C. Chiew
Keyword(s):  
Sustainable Agriculture ◽  
Composite Index ◽  
Composite Measure ◽  
Sustainability Index ◽  
Relative Measure ◽  
Synthetic Chemicals ◽  
Production Practice ◽  
Production Practices ◽  
On Farm

AbstractIn on-farm studies of sustainable agriculture, farmers often have been classified as sustainable according to their organizational affiliation; self identification; or use or non-use of a particular production practice or input, usually synthetic chemicals. Because this is a great oversimplification, researchers recently have been incorporating several dimensions of sustainability into a composite measure. Typically this is a relative measure of sustainability, with scores assigned by comparing individual farmers' practices to those used by all farmers. In contrast, in the farmer sustainability index (FSI) presented here, practices are scored according to their inherent sustainability. We report on the development of an FSI in a case study involving 33 production practices used by 85 cabbage farmers in Malaysia. We describe its underlying principles, the procedure and rationale for scoring each sustainability item, and the result of combining the constituent items into a composite index.

Site-specific television as urban renewal: Or, how Portland became Portlandia

2017 ◽  
Vol 21 (1) ◽  
pp. 42-56 ◽  
Author(s):  
Helen Morgan Parmett
Keyword(s):  
Urban Renewal ◽  
Urban Regeneration ◽  
Cultural Changes ◽  
Television Industry ◽  
Site Specific ◽  
Television Production ◽  
Local Alternative ◽  
Production Practices ◽  
The City

This article addresses the rise of what I call ‘site-specific television’, where the dispersion of television production outside traditional centers results in shooting locations that also serve as the crux of the televisual narrative. I argue that site-specific television constitutes ‘TV renewal’, in which on-location shooting practices are constitutive of urban regeneration efforts that draw on local, alternative, and creative cultures of production to help promote, rebrand, and revitalize marginalized city spaces with, often, gentrifying implications. Taking up Portlandia as a case study of site-specific television, I argue its on-location production practices depend on decentralized and embedded practices of production that align with recent economic and cultural changes in the television industry and in the city.

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