scholarly journals No romperé jamás ml alianza con vosotros (Jue 2,1)

2003 ◽  
Vol 10 ◽  
pp. 53
Author(s):  
Sor Ionel MIHALOVICI
Keyword(s):  

God's Covenant with men contitutes the essence of Revelation. The first text to give account of a Covenant is the narration of Creation and the last one appears in the Gospels, when Jesus announces the New Covenant through his blood. Nevertheless, there are not two covenants, an Old one and a New one. In the Bible, the different narrations of covenants are a renewal of the unique Covenant. It's man who is summoned to change his attitude in order to answer, always in a more profound way, to God's call.

Author(s):  
Victoria Brownlee

Chapter 5 focuses on female readings of the fleshly connection between Christ and his mother, Mary. For Aemilia Lanyer and Dorothy Leigh, Mary’s material labour had spiritual consequences because, in delivering Christ, she delivered God’s plan for salvation and inaugurated the new covenant which atones for Eve’s sin. Yet a typological reading of the scriptures also allows these writers to suggest that the new covenant initiates a form of maternity that has, within the Christological dispensation, profound spiritual resonance. For if, as Salve Deus and The Mothers Blessing advocate, the Bible is read typologically, Mary’s maternity becomes a mechanism of deliverance for all women, and inaugurates a form of maternity rich in spiritual issue and consequence.


1981 ◽  
Vol 34 (3) ◽  
pp. 225-243 ◽  
Author(s):  
James B. Torrance

One of the most significant words of the Bible is the word ‘covenant’. We read about God making a covenant with Abraham, renewing that covenant at Sinai, about David making a covenant with Jonathan, and again with the elders at Hebron when he became king. Jeremiah speaks of a day when God will make a new covenant with the house of Israel, and in the New Testament, Jesus is presented to us as the Mediator of the New Covenant: ‘This cup is the new covenant in my blood.’


2021 ◽  
Vol 20 (1) ◽  
pp. 137-152
Author(s):  
Carolien Eunice Tantra ◽  
Mark Peters

How do we as Christians today learn about worship and church music? How do we think about not only what music we will sing in Christian worship, but also the principles that should guide us in choosing and leading church music? Certainly, there are many different ways we answer that question: we study the Bible, we sing the words of the Scriptures, we read what theologians, worship leaders, and scholars of church music are writing today, we attend lectures and conferences by scholars and practitioners of church music. In this article, I offer and explore yet another example of how we live out God’s call in leading music for the Christian church: by studying the example of a faithful Christian musician from the past.  My particular example for this article is the German composer and church musician Johann Sebastian Bach (1685-1750).  I want to clarify from the start that I am not arguing that J. S. Bach is the best example of a Christian church musician and certainly not that he is the only example.  But Bach does offer us one example of a musician who dedicated most of his life to creating and leading music for the Christian church and sought to do so faithfully, creatively, and skillfully.


2015 ◽  
Vol 68 (4) ◽  
pp. 1297-1326 ◽  
Author(s):  
Victoria Brownlee

AbstractMindful of the complex position of Christ’s mother, Mary, in post-Reformation Europe, this article examines how two women writers read Mary’s fleshly relationship with Christ. Reading the Bible typologically, Aemilia Lanyer and Dorothy Leigh determine that Mary’s material labor has spiritual consequences, because, in delivering Christ, she delivers God’s plan for salvation and inaugurates the new covenant. But, interpreting Marian maternity in this way, Lanyer’sSalve Deus Rex Judaeorumand Leigh’sThe Mothers Blessingalso suggest that the new covenant initiates a form of maternity that has sustained spiritual resonance for all women and has profound implications for the female writer.


Author(s):  
Edward Kessler
Keyword(s):  

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