Eastern Europe Before World War II: Problems and Contradictions

2019 ◽  
Vol 65 (004) ◽  
pp. 190-198
Author(s):  
O. Vishlyov
2021 ◽  
Vol 57 (1) ◽  
pp. 271-282
Author(s):  
Laura Emmery

Made in Yugoslavia: Studies in Popular Music (edited by Danijela Špirić Beard and Ljerka Rasmussen) is a fascinating study of how popular music developed in post-World War II Yugoslavia, eventually reaching both unsurpassable popularity in the Balkans and Eastern Europe, and critical acclaim in the West. Through the comprehensive discussion of all popular music trends in Yugoslavia − commercial pop (zabavna-pop), rock, punk, new wave, disco, folk (narodna), and neofolk (novokomponovana) − across all six socialist Yugoslav republics, the reader is given the engrossing socio-cultural and political history of the country, providing the audience with a much-needed and riveting context for understanding the formation and the eventual demise of Tito’s Yugoslavia.


Author(s):  
James Mark ◽  
Quinn Slobodian

This chapter places Eastern Europe into a broader history of decolonization. It shows how the region’s own experience of the end of Empire after the World War I led its new states to consider their relationships with both European colonialism and those were struggling for their future liberation outside their continent. Following World War II, as Communist regimes took power in Eastern Europe, and overseas European Empires dissolved in Africa and Asia, newly powerful relationships developed. Analogies between the end of empire in Eastern Europe and the Global South, though sometimes tortured and riddled with their own blind spots, were nonetheless potent rhetorical idioms, enabling imagined solidarities and facilitating material connections in the era of the Cold War and non-alignment. After the demise of the so-called “evil empire” of the Soviet Union, analogies between the postcolonial and the postcommunist condition allowed for further novel equivalencies between these regions to develop.


2021 ◽  
pp. 65-86
Author(s):  
Edward B. Westermann

This chapter highlights the practice of trophy taking, dispossession, and atrocity in the borderlands of Eastern Europe during World War II. The taking of trophies from an enemy during wartime, like the conduct of atrocity, has been a recurrent practice throughout history. The chapter presents numerous forms of the act of trophy taking, including snapping photographs, plundering personal effects, and confiscating the teeth or hair of the victims. The chapter looks at how perpetrators' creation of killing games and the integration of hunting rituals offer insights into the ways in which racial ideology became intertwined with conceptions of masculinity and acts of mass murder. The organization of these deadly “games” provides another clear indication of the enjoyment taken by some SS men in the performance of their duties and their shared bonds established through group violence. The chapter reveals a mentality that facilitated and normalized mass murder.


1998 ◽  
Vol 77 (6) ◽  
pp. 161
Author(s):  
Robert Legvold ◽  
Ivan T. Berend

Author(s):  
Anke Fiedler ◽  
Helena Lima ◽  
Emmanuel Heretakis ◽  
Balázs Sipos ◽  
Juan Antonio García Galindo ◽  
...  

2007 ◽  
Vol 20 (2) ◽  
pp. 145-162 ◽  
Author(s):  
Alexandre Métraux

When introducing a collection of essays on Yiddish, Joseph Sherman asserted, among other things, that: Although the Nazi Holocaust effectively destroyed Yiddish together with the Jews of Eastern Europe for whom it was a lingua franca, the Yiddish language, its literature and culture have proven remarkably resilient. Against all odds, Yiddish has survived to become a focus of serious intellectual, artistic and scholarly activity in the sixty-odd years that have passed since the end of World War II. From linguistic and literary research in the leading universities of the world to the dedicated creativity of contemporary novelists and poets in Israel and America, from the adaptation of Yiddish words and phrases to the uses of daily newspapers in English to the elevation of Yiddish as a new loshn koydesh by Hasidic sects, from the publication of new writing to the translation of its established canonical works into modern European languages, Yiddish is continually reminding the world of its vibrancy, relevance and importance as a marker of Jewish identity and survival. (Sherman 2004, 9)


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