All-digital film archive

1985 ◽  
Vol 144 (6) ◽  
pp. 1318-1319
Author(s):  
RL Arenson
Keyword(s):  
Digital Film

From Film Practice to Data Process

2018 ◽  
Author(s):  
Sarah Atkinson
Keyword(s):  
Film Industry ◽  
Film Production ◽  
Profound Change ◽  
Data Process ◽  
Production Practices ◽  
Digital Film ◽  
Contemporary Britain

From Film Practice to Data Process critically examines the practices of independent digital feature filmmaking in contemporary Britain. The business of conventional feature filmmaking is like no other, in that it assembles a huge company of people from a range of disciplines on a temporary basis, all to engage in the collaborative endeavour of producing a unique, one-off piece of work. The book explicitly interrogates what is happening at the frontiers of contemporary ‘digital film’ production at a key transitional moment in 2012, when both the film industry and film-production practices were situated between the two distinct medium polarities of film and digital. With an in-depth case study of Sally Potter’s 2012 film Ginger & Rosa, drawing upon interviews with international film industry practitioners, From Film Practice to Data Process is an examination of film production in its totality, in a moment of profound change.

DIAMANT - digital film manipulation platform

2001 ◽  
Author(s):  
P. Schallauer
Keyword(s):  
Digital Film

City of Brass: The Art of Masking Reality in Digital Film

Leonardo ◽  
2003 ◽  
Vol 36 (1) ◽  
pp. 7-11
Author(s):  
Hisham M. Bizri
Keyword(s):  
The World ◽  
Digital Film

The author's interest in film lies in its ability to expand consciousness and perception in ways unique to the medium. His films challenge the language of filmmaking, be it montage, color, sound, lighting, mise-enscène or acting. The author employs a wide palette of film vocabulary to mask reality and filter it through a personal vision. With the introduction of computers, new ways of seeing the world through film, and thus of acting in the world, may be accomplished.

scholarly journals Digital photography in orthodontics

2017 ◽  
Vol 5 (2) ◽  
pp. 135 ◽  
Author(s):  
Sharath Kumar Shetty B ◽  
Mahesh Kumar Y ◽  
Chandrima Sreekumar
Keyword(s):  
Silver Halide ◽  
Digital Photography ◽  
The World ◽  
Digital Film ◽  
The Way

The buzzword today is digital. Be it music, T.V., video, watch, diary or any appliance. The world is going digital. Film less photography, pictures on a chip, call it what, this is a new phenomenon of technology. It is big, and it is the way things will be from this day forwards. For over 160 years, photography has been based on the silver halide film, which is now being replaced. Digital photography has come about as a result of convergence of both IT and photography. And it has so much to offer us. This article reviews the possibilities of digital photography in orthodontics.

scholarly journals The Practice and Theory of China's National Image in Hong Kong Region* A Case Study of Film and Television

2021 ◽  
Vol 236 ◽  
pp. 05058
Author(s):  
Zhu Guangyao ◽  
Wang Yandong
Keyword(s):  
Hong Kong ◽  
Strong Impact ◽  
Image Construction ◽  
National Image ◽  
Film And Television ◽  
History Of ◽  
National Ideology ◽  
Anglo American ◽  
Digital Film ◽  
The Cold War

Since Hong Kong was once considered to be the front line of the Cold War against China in the Anglo-American world, its film and television productions have been a significant ideological battlefield. Especially at that time, the western digital film and television production had a strong impact on the construction of national ideology in Hong Kong. It is evident that the artistic strategy of China's national image formation in the region, as viewed through film and television productions, has a targeted cultural and strategic orientation value. In this regard, this paper presents the viewpoints from the perspective of the development history of Hong Kong's film and television productions as well as the successful experience of image construction in Europe and America since the mid-twentieth century.

scholarly journals MENELISIK SIASAT CERITA DIGITAL REALITY PADA FILM READY PLAYER ONE?

2019 ◽  
Vol 5 (02) ◽  
pp. 159
Author(s):  
Jokhanan Kristiyono ◽  
Hernani Sirikit
Keyword(s):  
New Media ◽  
Communication Technology ◽  
Narrative Analysis ◽  
Real Life ◽  
Research Problem ◽  
Human Beings ◽  
Steven Spielberg ◽  
Digital World ◽  
History Of ◽  
Digital Film

<p>ABSTRACT</p><p>This study aims to find out how factual and digital reality are depicted in film.Castells’ theory on new media is taken for the base theory, subjectivity-identity and power and knowledge by Foucault. Narrative analysis by Lacey is applied to seek answer for the research problem. The advancement of Communication Technology has enabled human beings to have freedom in imagination and make it real. Digital technology and virtual realm are enriched with emerging faked realities and identities. Film, becomes a platform for practising this kind of freedom, making fantasy feels like reality. Film Ready Player One? directed by Steven Spielberg depicts real and virtual world. This study aims to elaborate how real life and digital life are narrated and described in this film. A new identity created in The OASIS,the digital world that a place where mankind escape from reality. Units to be analysed in eight structures of analysis are story, plot, and character. Concludesis factual reality and digital reality are described well in this film, it even tends to hyper-reality. Moreover, conflict in digital world and in the future (2045) are still the same with problems in the history of mankind.</p><p>Keywords; Film; Digital reality; Identities; Narrative.</p><p>ABSTRAK</p><p>Penelitian ini bertujuan mengetahui bagaimana realitas faktual dan realitas digital digambarkan dalam film. Menggunakan teori new media Castells, subjektivitas dan identitas serta power dan knowledge Foucault. Penelitian film ini menggunakan pendekatan deskriptif kualitatif, dengan metode Analisa Naratif Film (Lacey, 2017). Kemajuan teknologi informasi dan komunikasi membuat manusia memiliki keleluasaan dalam berimajinasi dan merealisasikannya. Teknologi digital dan alam virtual semakin diperkaya dengan munculnya realitas dan identitas semu. Film, sebagai salah satu medium komunikasi massa, merupakan wadah kebebasan berimajinasi. Film Ready Player One?.Film besutan sutradara Steven Spielberg menggambarkan pergesekan antara dunia nyata dan dunia digital. Film ini menunjukkan kehidupan masyarakat moderen pada tahun 2045, dengan adanya perkembangan teknologi yang luar biasa. Suatu piranti yang mengubah manusia menjadi sangat tergantung dengan teknologi. Teknologi informasi dan komunikasi yang menciptakan dunia baru yaitu dunia digital. OASIS, dunia tempat pelarian manusia modern dan menciptakan identitas baru yaitu identitas virtual. Masyarakat informasi yang menciptakan realitas digital. Unit analisis story, plot, dan karakter dianalisis secara naratif dengan delapan struktur. Hasil analisis memberikan jawaban bahwa realitas nyata dan realitas digital digambarkan secara baik dalam film ini, bahkan cenderung berlebihan (hyper-reality). Selain itu, konflik di dunia digital di tahun 2045 tetap sama dengan konflik dalam sejarah manusia.</p><p>Kata Kunci; Film; Digital Reality; Identitas; Naratif.</p>

An Inexpensive Automatic Digital Film Reader

1970 ◽  
Vol 8 (5) ◽  
Author(s):  
Diamantis D. Preonas ◽  
Hallock F. Swift ◽  
G. S. Williams
Keyword(s):  
Digital Film
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