Review: The Taste for Beauty by Eric Rohmer, Carol Volk

1991 ◽  
Vol 44 (4) ◽  
pp. 49-52
Author(s):  
Gregg Rickman
Keyword(s):  
Eric Rohmer

Eric Rohmer

2008 ◽  
Author(s):  
Keith Tester
Keyword(s):  
Eric Rohmer

The Cinema of Éric Rohmer: Irony, Imagination, and the Social World by Jacob Leigh

2014 ◽  
Vol 87 (4) ◽  
pp. 197-198
Author(s):  
Derek Schilling
Keyword(s):  
Social World ◽  
The Social ◽  
Eric Rohmer

Eric Rohmer by Derek Schilling

2010 ◽  
Vol 84 (2) ◽  
pp. 438-439
Author(s):  
Stéphane Pillet
Keyword(s):  
Eric Rohmer

Scriptwriting as paradox and process: The complex case of Eric Rohmer

2015 ◽  
Vol 6 (1) ◽  
pp. 23-37
Author(s):  
Fiona Handyside
Keyword(s):  
Complex Case ◽  
Eric Rohmer

Ontology, Film and the Case of Eric Rohmer

2009 ◽  
pp. 164-174
Author(s):  
Jacob Leigh
Keyword(s):  
Eric Rohmer

Eric Rohmer, Historiographer

2014 ◽  
Author(s):  
Jerry W. Carlson
Keyword(s):  
Eric Rohmer

Rohmer, Éric (1920–2010)

2018 ◽  
Author(s):  
Maria Ionita
Keyword(s):  
New Wave ◽  
Moral Choice ◽  
French Film ◽  
French New Wave ◽  
Eric Rohmer ◽  
Theology And Philosophy ◽  
Film Critic

Éric Rohmer (born Jean-Marie-Maurice Schéer) was a French film director, screenwriter, and film critic, best known for his association with the French New Wave, and his sophisticated films exploring the intersections of romantic desire and moral choice. A student of literature, theology, and philosophy with a degree in history, Rohmer started as a teacher, but soon gravitated, like many future New Wave directors, toward Henri Langlois’ Cinémathèque Française and he also began writing for Cahiers du cinéma in 1951. He was its editor from 1957 to 1963.

How Motion Shapes Thought in Cinema

Projections ◽  
2020 ◽  
Vol 14 (2) ◽  
pp. 26-47
Author(s):  
Maarten Coëgnarts
Keyword(s):  
Cognitive Linguistics ◽  
Spatial Thinking ◽  
Future Research ◽  
Fixed Frame ◽  
Eric Rohmer ◽  
Dynamic Patterns ◽  
Human Thinking ◽  
Film Style

This article provides an embodied study of the film style of the French filmmaker Éric Rohmer. Drawing on insights from cognitive linguistics, I first show how dynamic patterns of containment shape human thinking about relationships, a concept central to Rohmer’s cinema. Second, I consider the question of how film might elicit this spatial thinking through the use of such cinematic devices as mobile framing and fixed-frame movement. Third, using Rohmer’s Comedies and Proverbs series as a case study, I demonstrate how the filmmaker applies these devices—and with them the spatial thinking they initiate—systemically to shape the relationships of his films visually. Lastly, I use the results of this analysis to provide discussion and suggestions for future research.

scholarly journals The films of Eric Rohmer French new wave to old master

2017 ◽  
Vol 25 (2) ◽  
pp. 225-226
Author(s):  
Isabelle Vanderschelden
Keyword(s):  
New Wave ◽  
French New Wave ◽  
Eric Rohmer

Tale of Winter: Philosophical Thought in the Films of Eric Rohmer

2010 ◽  
pp. 325-339
Author(s):  
William Rothman
Keyword(s):  
Philosophical Thought ◽  
Eric Rohmer
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