Transplanting Moments: Inheritance in the Formation of Early American Culture

1991 ◽  
Vol 48 (2) ◽  
pp. 224 ◽  
Author(s):  
Jack P. Greene
Author(s):  
Bruno Maçães

Popular consensus says that the US rose over two centuries to Cold War victory and world domination, and is now in slow decline. But is this right? History's great civilizations have always lasted much longer, and for all its colossal power, American culture was overshadowed by Europe until recently. What if this isn't the end? This book offers a compelling vision of America's future, both fascinating and unnerving. From the early American Republic, it takes us to the turbulent present, when, it argues, America is finally forging its own path. We can see the birth pangs of this new civilization in today's debates on guns, religion, foreign policy, and the significance of Trump. Should the coronavirus pandemic be regarded as an opportunity to build a new kind of society? What will its values be, and what will this new America look like? The book traces the long arc of US history to argue that in contrast to those who see the US on the cusp of decline, it may well be simply shifting to a new model, one equally powerful but no longer liberal. Consequently, it is no longer enough to analyze America's current trajectory through the simple prism of decline vs. progress, which assumes a static model—America as liberal leviathan. Rather, the book argues that America may be casting off the liberalism that has defined the country since its founding for a new model, one more appropriate to succeeding in a transformed world.


1980 ◽  
Vol 53 (4) ◽  
pp. 554
Author(s):  
S. W. Jackman ◽  
Joseph J. Ellis

1981 ◽  
Vol 86 (1) ◽  
pp. 201
Author(s):  
John Howe ◽  
Joseph J. Ellis

2019 ◽  
Vol 6 (3) ◽  
pp. 315-337
Author(s):  
Scott Larson

Abstract The eighteenth-century Atlantic world was swept with a radical new form of Christian preaching that aimed to engage the feelings and sensations of mass audiences. In the nineteenth century, this heart-centered preaching became a mainstream form of American Christianity, but in its first hundred years, it was widely regarded as perverse, effeminate, and depraved. Early evangelical Christianity threatened to destabilize social and political orders, to drive the masses “out of their senses,” and to throw gender norms into chaos. This article argues that attention to “trans tonality”—an investigation of trans at the level of tone, expression, and sensation—offers a surprising trans history of early American culture and opens up an archive rich with accounts of gender and sensory variance.


Experiment ◽  
2014 ◽  
Vol 20 (1) ◽  
pp. 86-117
Author(s):  
Karen Goodman

This paper discusses the importance of Russian-born choreographer, theatre director, and teacher Benjamin Zemach (1901-1997) to Los Angeles. It contextualizes the sustained influences of his Jewish heritage, his training with Stanislavsky and Vakhtangov in the Habima Theatre, Russian dance and theatre synthesis and early American modern dance. The article focuses on his work in Los Angeles during two different periods of American culture and politics preceding and following World War ii (1931-35 and 1946-71), examining closely his contributions to Los Angeles Jewish and mainstream dance and theatre through an analysis of his choreographies for the stage and film as well as his teaching methodologies.


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