1798: The Year of the Lyrical Ballads

2001 ◽  
Vol 96 (2) ◽  
pp. 472
Author(s):  
Philip W. Martin ◽  
Richard Cronin
Keyword(s):  
Lyrical Ballads

Why the "Lyrical Ballads"?. John E. Jordan.

1978 ◽  
Vol 9 (3) ◽  
pp. 233-234
Author(s):  
Stephen Gill
Keyword(s):  
Lyrical Ballads

Lyrical Ballads: Wordsworth's Book of Questions

1989 ◽  
Vol 20 (2) ◽  
pp. 106-112
Author(s):  
Peter Larkin
Keyword(s):  
Lyrical Ballads

scholarly journals From Albion's shore: Lord Byron' poetry in Slovene translations until 1945

1989 ◽  
Vol 22 ◽  
pp. 51-59
Author(s):  
Igor Maver
Keyword(s):  
Literary Criticism ◽  
Sir Walter Scott ◽  
Lord Byron ◽  
Literary Magazine ◽  
Lyrical Poetry ◽  
Lyrical Ballads ◽  
National Unification ◽  
Walter Scott

The publication in 1830 of the early poems of the doyen of Slovene poetry - Dr France Prešeren  in Kranjska čbelica (The Carniola Bee) - marks the beginning of Slovene Romanticism, which ends in 1848, -with the last of his poems published in the fifth volume of the same literary magazine. The period from 1830 to the »revolutionary« year of 1848 is thus committed to Romanticism as the leading movement of Slovene literature, artfully embodied in Prešeren's fine lyrical poetry that aimed at and considerably contributed to national unification and identification, as well as in the Europe-oriented literary criticism of Matija čop.  Comparing the trends of the English and Slovene Romantic Revival, we can readily establish that the emergence of Romantic tenets expressed in poetry was somewhat late on Slovene ground. In England, of course, the crucial years are1789, when Lyrical Ballads were published by Wordsworth and Coleridge, and the year 1832, which marks the death of Sir Walter Scott.

scholarly journals Wordsworth's "Tintern abbey" and the tradition of the "hymnal" ode

2007 ◽  
Vol 40 (1-2) ◽  
pp. 51-60
Author(s):  
Sandro Jung
Keyword(s):  
Present Article ◽  
Early Years ◽  
Pronounced Difference ◽  
The Past ◽  
Lyrical Ballads ◽  
Poetic Practice ◽  
Tintern Abbey

Despite the claims for simplicity of language that Wordsworth articulated in the early years of his literary career, especially in the "Preface" to Lyrical Ballads-his pronounced difference from earlier (Neoclassical) poets, poetic practice, and the forms of poetry of the Augustans-he could not escape what Waiter Jackson Bate long ago termed the "burden of the past". Wordsworth's indebtedness to his literary forbears is not only ideational but formal as well. The present article aims to examine Wordsworth's "Tintern Abbey" and relate it to the tradition of the hymnal ode used so masterfully by William Collins in the mid-century, at the same time reconsidering the generic conceptualisation of the poem as an ode in all but name which in its structure and essence re-evokes mid-century hymnal odes but which is contextualised within Wordsworth's notion of emotional immediacy and simplicity.

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