The Music of Edgard Varèse Jonathan Bernard The Music of Paul Hindemith David Neumeyer

1988 ◽  
Vol 10 ◽  
pp. 137-143
Author(s):  
Robert Gauldin
Keyword(s):  
1986 ◽  
Vol 60 (4) ◽  
pp. 628
Author(s):  
Richard Exner ◽  
Gottfried Benn ◽  
Dieter Rexroth ◽  
Ann Clark Fehn
Keyword(s):  

2004 ◽  
Vol 23 (1) ◽  
pp. 3-9
Author(s):  
Ann McMillan
Keyword(s):  

1996 ◽  
Vol 1 (1) ◽  
pp. 1-2

'Organised sound' - the term coined by Edgard Varèse for a new definition of musical constructivism - denotes for our increasingly technologically dominated culture an urge towards the recognition of the human impulse behind the 'system'. Such is the diversity of activity in today's computer music, we need to maintain a balance between technological advances and musically creative and scholarly endeavour, at all levels of an essentially educative process. The model of 'life-long learning' makes a special kind of sense when we can explore our musical creativity in partnership with the computer, a machine now capable of sophisticated response from a humanly embedded intelligence.


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