Early Medieval Iconography of the Virgin Mary between East and West

2020 ◽  
pp. 167-204
Author(s):  
Giuseppa Z. Zanichelli
Author(s):  
Yin Zhou

This chapter takes Buddhist architecture as an example of the dynamic interchange between East and West and the compromise between the original Indian style and native Chinese architecture so as to help demonstrate the transformation process of Buddhism in China during the first through sixth centuries CE. This chapter tries to point out that early medieval Buddhist monasteries, particularly the official ones, were constructed following Indian and Central Asian designs. These foreign types of monasteries brought in a new kind of religious architecture to China, which was later fused into the preexisting architectural culture and evolved into the distinct layout of Buddhist temple adopting the traditional Chinese residential design. This is a concrete and material way to contribute to the understanding of the interaction between a new faith and an old society.


2010 ◽  
Vol 4 (1) ◽  
Author(s):  
Tomislav Marasović

The temple of Jupiter at Diocletian’s palace in Split, which at the same time was also the mausoleum of the emperor, was transformed in the early medieval period into a cathedral dedicated to the Virgin Mary, otherwise much better known under the name of St. Domnius, the patron saint of the city. Changes in the function of the structure were reflected in the following:


Vox Patrum ◽  
2004 ◽  
Vol 46 ◽  
pp. 573-578
Author(s):  
Anna Szewczyk

The author presents the poem on the Virgin Mary, the oldest in Ireland and one of the oldest in the Early Medieval Europe. This poem wrote Irish monk of the monastery on Iona, Blathmac (+ 825). The author presents biography of Blathmac and the most important aspects of theology of Mary (Mary companion in suffering, Virgin Mary, Mother Mary, Theotocos, Intercessor). The poem includes many names of Mary: Sancta, Dear, Beautiful, Queen, Bright, Brightneck, True Virgin, Sun of the women, Sun of the human race.


2013 ◽  
pp. 99-136
Author(s):  
Michael Fishbane

This chapter covers the phenomenon of piyut, which is one of the comprehensive designations of Jewish liturgical poetry and an archaeology of rabbinic tradition. The piyut's major classical and early post-classical creativity spans the fifth to eleventh centuries that originated in the Land of Israel and spread east and west. It mentions the work of Michel Foucault, ‘L'Archéologie du savoir’ and its methodological reflections on the complex relationships between the ‘things said’ in culture and the way their selection or re-combination organizes knowledge from a vast fund of data or the so-called cultural archive. The chapter uses Foucault's insights to clear some paths of approach to piyut. It also focuses on some of the ruptures and transformations of biblical and midrashic literature in the creation of liturgical epics in classical and early medieval piyut.


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