Francesca Alesse and Ludovica De Luca, eds., Philo of Alexandria and Greek Myth: Narratives, Allegories, and Arguments. SPhA 10. Leiden: Brill, 2019. Hardback. ISBN 9789004411609. Listed price €116 / $140.

2021 ◽  
pp. 307-312
Author(s):  
Michael B. Cover
2019 ◽  
Author(s):  
Francesca Alesse ◽  
Ludovica De Luca

Author(s):  
Christine Hayes

In the thousand years before the rise of Islam, two radically diverse conceptions of what it means to say that a law is divine confronted one another with a force that reverberates to the present. This book untangles the classical and biblical roots of the Western idea of divine law and shows how early adherents to biblical tradition—Hellenistic Jewish writers such as Philo, the community at Qumran, Paul, and the talmudic rabbis—struggled to make sense of this conflicting legacy. This book shows that for the ancient Greeks, divine law was divine by virtue of its inherent qualities of intrinsic rationality, truth, universality, and immutability, while for the biblical authors, divine law was divine because it was grounded in revelation with no presumption of rationality, conformity to truth, universality, or immutability. The book describes the collision of these opposing conceptions in the Hellenistic period, and details competing attempts to resolve the resulting cognitive dissonance. It shows how Second Temple and Hellenistic Jewish writers, from the author of 1 Enoch to Philo of Alexandria, were engaged in a common project of bridging the gulf between classical and biblical notions of divine law, while Paul, in his letters to the early Christian church, sought to widen it. The book then delves into the literature of classical rabbinic Judaism to reveal how the talmudic rabbis took a third and scandalous path, insisting on a construction of divine law intentionally at odds with the Greco-Roman and Pauline conceptions that would come to dominate the Christianized West. This book sheds critical light on an ancient debate that would shape foundational Western thought, and that continues to inform contemporary views about the nature and purpose of law and the nature and authority of Scripture.


2013 ◽  
Vol 4 (3) ◽  
pp. 352-378
Author(s):  
Clint Burnett

This article questions the longstanding supposition that the eschatology of the Second Temple period was solely influenced by Persian or Iranian eschatology, arguing instead that the literature of this period reflects awareness of several key Greco-Roman mythological concepts. In particular, the concepts of Tartarus and the Greek myths of Titans and Giants underlie much of the treatment of eschatology in the Jewish literature of the period. A thorough treatment of Tartarus and related concepts in literary and non-literary sources from ancient Greek and Greco-Roman culture provides a backdrop for a discussion of these themes in the Second Temple period and especially in the writings of Philo of Alexandria.


2005 ◽  
Author(s):  
Peder Borgen ◽  
Kåre Fuglseth ◽  
Roald Skarsten
Keyword(s):  

2014 ◽  
Author(s):  
Jean Daniélou
Keyword(s):  

2018 ◽  
Author(s):  
MAREN R. NIEHOFF
Keyword(s):  

Author(s):  
Jennifer Otto

Between the second and the sixteenth centuries CE, references to the Jewish exegete Philo of Alexandria occur exclusively in texts written by Christians. David T. Runia has described this phenomenon as the adoption of Philo by Christians as an “honorary Church Father.” Drawing on the work of Jonathan Z. Smith and recent investigations of the “Parting of the Ways” of early Christianity and Judaism, this study argues that early Christian invocations of Philo reveal ongoing efforts to define the relationship between Jewishness and Christianness, their areas of overlap and points of divergence. The introduction situates invocations of Philo within the wider context of early Christian writing about Jews and Jewishness. It considers how Philo and his early Christian readers participated in the larger world of Greco-Roman philosophical schools, text production, and the ethical and intellectual formation (paideia) of elite young men in the Roman Empire.


Author(s):  
Peter J. Heslin

This book develops a new interpretation of Propertius’ use of Greek myth and of his relationship to Virgil, working out the implications of a revised relative dating of the two poets’ early works. It begins by examining from an intertextual perspective all of the mythological references in the first book of Propertius. Mythological allegory emerges as the vehicle for a polemic against Virgil over the question of which of them would be the standard-bearer for Alexandrian poetry at Rome. Virgil began the debate with elegy by creating a quasi-mythological figure out of Cornelius Gallus, and Propertius responded in kind: his Milanion, Hylas and several of his own Galluses respond primarily to Virgil’s Gallus. In the Georgics, Virgil’s Aristaeus and Orpheus are, in part, a response to Propertius; Propertius then responds in his second book via his own conception of Orpheus and Adonis. The polemic then took a different direction, in the light of Virgil’s announcement of his intention to write an epic for Octavian. Virgilian pastoral was no longer the antithesis of elegy, but its near neighbour. Propertius critiqued Virgil’s turn to epic in mythological terms throughout his second book, while also developing a new line of attack. Beginning in his second book and intensifying in his third, Propertius insinuated that Virgil’s epic in progress would turn out to be a tedious neo-Ennian annalistic epic on the military exploits of Augustus. In his fourth book, Propertius finally acknowledged the published Aeneid as a masterpiece; but by then Virgil’s death had brought an end to the fierce rivalry that had shaped Propertius’ career as a poet.


Elenchos ◽  
2005 ◽  
Vol 26 (1) ◽  
pp. 201-206
Author(s):  
Francesca Alesse

2016 ◽  
Vol 81 (1) ◽  
pp. 103-104
Author(s):  
Jonathan Burroughs
Keyword(s):  

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