On the Road

Author(s):  
Adam Teller

This chapter details the experience of flight from Poland to Germany and what it meant in real terms to be a Jewish refugee on the roads of central Europe. This is a crucial issue because that kind of forced travel is such a fundamental part of what refugees have to endure that unless it is examined, they themselves cannot be understood. Though the whole refugee experience was fraught with danger and terror, the most difficult moments for many came right at the beginning, when the individuals or small groups of refugees had to evade the enemy troops from whom they were fleeing. Even if refugees managed to evade the hostile soldiers, their lives remained in danger from people acting out of hatred of Jews, simply wanting to rob them, or both. Nighttime was particularly dangerous, especially if Jews were staying at an inn run by a non-Jew. The chapter then highlights the personal chronicle of Yuda ben Ephraim Ḥayim of Piła in Great Poland, who fled to Silesia during 1656 to avoid being attacked by the forces of Stefan Czarniecki.

2018 ◽  
pp. 167-182
Author(s):  
Carlo Cenciarelli

Right from the start, Before Sunrise presents us with the problem of its ending. The film narrates the on-the-road romance of Jesse and Celine, who meet on a train through central Europe, fall for each other, and decide to spend a day and night together in Vienna before continuing their respective journeys, never to see each other again. In a move that is typical of indie cinema, the two protagonists trade the idea of a ‘happily ever after’ with the possibility of experiencing a moment together. And yet, for this same reason, their time together is inseparable from the feeling of the approaching goodbye, which threatens their very ability to experience the moment. My chapter explores how Before Sunrise draws on music to find a solution to this conundrum. I show that, as we approach the temporal deadline of the title, Bach’s music is used to mobilise a set of complementary eschatological frameworks that are meant both to freeze and extend the time in Vienna. More broadly, I suggest that the film provides a model of cinema’s use of music to make sense of endings and of the time-bound nature of the cinematic experience.


1992 ◽  
Vol 13 ◽  
pp. 3-25
Author(s):  
Robin A. Remington

This analysis focuses on the dilemmas facing policymakers attempting the transition from one-party hegemonic systems to multiparty democracies in post-communist Europe. It investigates the hypothesis that the political conditions for building democracy and the economic conditions required for establishing market economies in these societies are at cross purposes. The author examines the role of the international political economy in the process of democratization in terms of a framework of three primary variables: identity, legitimacy, and security. In applying these variables to post-communist East Central Europe, five significant arenas emerge in which political and economic imperatives come into conflict. The analysis concludes with policy implications for Western decision-makers whose own future security needs and economic well-being are tied to successful transition from communism to viable democracy in East Central Europe and the former Soviet Union.


Vaccine ◽  
2011 ◽  
Vol 29 (49) ◽  
pp. 9141-9147 ◽  
Author(s):  
Vytautas Usonis ◽  
Ioana Anca ◽  
Francis André ◽  
Roman Chlibek ◽  
Milan Čižman ◽  
...  

ASHA Leader ◽  
2006 ◽  
Vol 11 (5) ◽  
pp. 14-17 ◽  
Author(s):  
Shelly S. Chabon ◽  
Ruth E. Cain

2009 ◽  
Vol 43 (9) ◽  
pp. 18-19
Author(s):  
MICHAEL S. JELLINEK
Keyword(s):  
The Road ◽  

PsycCRITIQUES ◽  
2013 ◽  
Vol 58 (31) ◽  
Author(s):  
David Manier
Keyword(s):  
The Road ◽  

PsycCRITIQUES ◽  
2014 ◽  
Vol 59 (52) ◽  
Author(s):  
Donald Moss
Keyword(s):  
The Road ◽  

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