Strategy, Diplomacy, and the Cold War

Author(s):  
Melvyn P. Leffler

This chapter takes a look at U.S. war planning during the Cold War. Looking through Joint Chiefs of Staff records, the chapter shows that U.S. war planning, although crude, began in the early months of 1946. If war erupted, for whatever reasons, the war plans called for the United States to strike the Soviet Union (USSR). Expecting Soviet armies to overrun most of Europe very quickly, planners assumed that the United States would launch its attack primarily from bases in the United Kingdom and the British-controlled Cairo-Suez base in the Middle East. To protect the latter, it would be essential to slow down Soviet armies marching southward to conquer the Middle East. The United States needed the Turkish army to thwart Soviet military advances and required Turkish airfields to insure the success of the strategic offensive against targets inside the USSR.

Author(s):  
Peter J. Schmelz

This chapter examines censorship in the Soviet Union during the Cold War by focusing on the experience of composer Alfred Schnittke (1934–1998). More specifically, it looks at Schnittke’s evolving interactions with Soviet political and aesthetic strictures, as well as the representation and interpretation of those interactions abroad, particularly in the United States and the United Kingdom. The chapter explores the increasingly complex, globalized musical economy in which late Soviet censorship played a key role. It also discusses the “harsh censorship” that Schnittke had to endure and how it gave him prominence, and ultimately prestige, with the help of various agents such as Gidon Kremer and the Kronos Quartet, the Soviet copyright agency VAAP (All-Union Agency for the Protection of Authors’ Rights), and the BIS record label. Finally, it highlights the actors (performers, producers, impresarios, critics, and listeners) who affect the way music is shaped and received, bought and sold.


Author(s):  
Peter Sluglett

This chapter examines how the Cold War affected the states of the Middle East. More specifically, it considers the evidence of which factors drove regional developments and how it has been contested by both international relations and regional scholars. After providing an overview of the immediate origins of the Cold War, the chapter discusses the role played by oil during the Cold War. It then analyses early manifestations of the rivalry between the Soviets and the United States in Greece, Turkey, and Iran at the beginning of the Cold War, and uses Iraq as a case study of the changing nature of the relations between a Middle Eastern state and both superpowers from the 1940s until the collapse of the Soviet Union. Finally, it evaluates the overall impact of the Cold War on the Middle East as a whole.


This book uses trust—with its emotional and predictive aspects—to explore international relations in the second half of the Cold War, beginning with the late 1960s. The détente of the 1970s led to the development of some limited trust between the United States and the Soviet Union, which lessened international tensions and enabled advances in areas such as arms control. However, it also created uncertainty in other areas, especially on the part of smaller states that depended on their alliance leaders for protection. The chapters in this volume look at how the “emotional” side of the conflict affected the dynamics of various Cold War relations: between the superpowers, within the two ideological blocs, and inside individual countries on the margins of the East–West confrontation.


Author(s):  
Anne Searcy

During the Cold War, the governments of the United States and the Soviet Union developed cultural exchange programs, in which they sent performing artists abroad in order to generate goodwill for their countries. Ballet companies were frequently called on to serve in these programs, particularly in the direct Soviet-American exchange. This book analyzes four of the early ballet exchange tours, demonstrating how this series of encounters changed both geopolitical relations and the history of dance. The ballet tours were enormously popular. Performances functioned as an important symbolic meeting point for Soviet and American officials, creating goodwill and normalizing relations between the two countries in an era when nuclear conflict was a real threat. At the same time, Soviet and American audiences did not understand ballet in the same way. As American companies toured in the Soviet Union and vice versa, audiences saw the performances through the lens of their own local aesthetics. Ballet in the Cold War introduces the concept of transliteration to understand this process, showing how much power viewers wielded in the exchange and explaining how the dynamics of the Cold War continue to shape ballet today.


Daedalus ◽  
2020 ◽  
Vol 149 (2) ◽  
pp. 101-115
Author(s):  
Jon Brook Wolfsthal

America survived the nuclear age through a complex combination of diplomatic and military decisions, and a good deal of luck. One of the tools that proved its value in both reducing the risks of nuclear use and setting rules for the ongoing nuclear competition were negotiated, legally binding, and verified arms control agreements. Such pacts between the United States and the Soviet Union arguably prevented the nuclear arms racing from getting worse and helped both sides climb off the Cold War nuclear precipice. Several important agreements remain in place between the United States and Russia, to the benefit of both states. Arms control is under threat, however, from domestic forces in the United States and from Russian actions that range from treaty violations to the broader weaponization of risk. But arms control can and should play a useful role in reducing the risk of nuclear war and forging a new agreement between Moscow and Washington on the new rules of the nuclear road.


2016 ◽  
Vol 4 (1) ◽  
pp. 39
Author(s):  
Novita Mujiyati ◽  
Kuswono Kuswono ◽  
Sunarjo Sunarjo

United States and the Soviet Union is a country on the part of allies who emerged as the winner during World War II. However, after reaching the Allied victory in the situation soon changed, man has become an opponent. United States and the Soviet Union are competing to expand the influence and power. To compete the United States strive continuously strengthen itself both in the economic and military by establishing a defense pact and aid agencies in the field of economy. During the Cold War the two are not fighting directly in one of the countries of the former Soviet Union and the United States. However, if understood, teradinya the Korean War and the Vietnam War is a result of tensions between the two countries and is a direct warfare conducted by the United States and the Soviet Union. Cold War ended in conflict with the collapse of the Soviet Union and the United States emerged as the winner of the country.


Author(s):  
David M. Edelstein

This chapter traces the deterioration of Soviet-American relations at the end of World War II and into the beginning of the cold war. While the United States and the Soviet Union found common cause during World War II in defeating Hitler’s Germany, their relationship began to deteriorate as the eventual defeat of Germany became more certain. The chapter emphasizes that it was growing beliefs about malign Soviet intentions, rather than changes in Soviet capabilities, that fuelled the origins of the cold war. In particular, the chapter details crises in Iran, Turkey, and Germany that contributed to U.S. beliefs about long-term Soviet intentions. As uncertainty evaporated, the enmity of the cold war took hold.


Sign in / Sign up

Export Citation Format

Share Document