La reception en Argentine des martyrs de l’Algerie à travers la poésie et le théâtre

2021 ◽  
Vol 66 (1-2) ◽  
pp. 7-32
Author(s):  
Cecilia Avenatti De Palumbo ◽  
◽  
Keyword(s):  
Hans Urs Von Balthasar

The Reception of Algeria’s Marthyrs in Argentina through Poetry (Christophe Lebreton) and Theatre (Pierre Claverie, Adrien Candiard). The aim of this article is to present the reception of Algeria’s marthyrs in Argentina as a testimony of the freedom of the Spirit, through Christophe Lebreton’s poetry as well as Adrien Candiard’s theatre play Pierre and Mohamed. Firstly, we will outline the itinerary of this intercultural meeting. Secondly, based on Hans Urs von Balthasar, Piero Coda and Christoph Theobald’s thoughts we will develop an interdisciplinary interpretation by making literature, Esthetics and Theology get involved in a dialogue, in order to propose hospitality as a holiness style in postmodernity. Keywords: Hospitality - Hans Urs von Balthasar - Christoph Theobald - Christophe Lebreton - Pierre Claverie.

Hans Urs von Balthasar et Adrienne von Speyr, Interprètes de Thomas More

Moreana ◽  
1991 ◽  
Vol 28 (Number 105) (1) ◽  
pp. 5-20
Author(s):  
Georges Chantraine
Keyword(s):  
Thomas More ◽  
Hans Urs Von Balthasar

La vida como arte y el arte como vida

2019 ◽  
Author(s):  
Gaspar Brahm Mir
Keyword(s):  
Hans Urs Von Balthasar

El hombre es un ser que busca el sentido de su existencia en todo lo que hace. A la vez que es consciente de su contingencia, es capaz de elevarse por sobre lo meramente temporal. El arte pareciera ser una actividad humana que, por combinar lo contingente con lo necesario, puede llevar al hombre hacia una obra llena de sentido. Siguiendo al teólogo suizo Hans Urs von Balthasar, cabría entender la vida del hombre como una obra artístico-dramática, en la que entran en diálogo su libertad con la donación divina. La obra maestra existencial será, por consiguiente, la aceptación plena del don de Dios por parte del hombre.

Hans Urs von Balthasar

2016 ◽  
pp. 717-738
Author(s):  
Kevin Mongrain
Keyword(s):  
Christian Tradition ◽  
Theological Aesthetics ◽  
Natural Form ◽  
Hans Urs Von Balthasar ◽  
Divine Grace ◽  
Natural Forms

This chapter considers the extensive corpus of Hans Urs von Balthasar by treating two architectonic themes in his thought: remembrance and beauty. In the first instance, Balthasar sees theology in modernity—especially in the form of neo-scholasticism—as marked by a failure to remember appropriately some essential principles of Christian tradition, most importantly the inseparability of theology and spirituality in an anti-Gnostic key. In the second instance, the theme of theological aesthetics is treated, initially by placing Balthasar’s conception of a true seeing of natural forms against the background of Goethe’s philosophy. The epiphanic nature of all created being, able to reveal to us the glory of God, and yet obscured from us by sin, lies at the heart of Balthasar’s theology. Ultimately, this theology is Christocentric: the crucified and risen Christ-form becomes a permanent sacramental vehicle of divine grace, restoring our sight of natural form and divine glory.

L’apport de Hans Urs von Balthasar à la théologie fondamentale

Communio ◽  
2018 ◽  
Vol N° 257-258 (3) ◽  
pp. 167-180
Author(s):  
Hansjùrgen Verweyen ◽  
Thomas Alferi
Keyword(s):  
Hans Urs Von Balthasar
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