La ética entre la justicia y el bien

Author(s):  
Asunción Herrera Guevara

resumenLa moralidad que se exige al individuo actual sólo se dará en una sociedad liberada. Cómo conseguir ambos aspectos es el quehacer moral y político más acuciante. En este artículo dilucidaré una respuesta buscando una lógica diferente a la binaria que permita desenmascarar la distancia tajante entre cuestiones de justicia y cuestiones de la vida buena. Partiré de la necesidad de encontrar un puente entre lo cognitivo y lo ético (I). Dos serán las propuestas que nos permitan escapar de las falsas reconciliaciones entre lo justo y lo bueno (II). La primera vendrá de la mano de Kierkegaard (II.1); la segunda de la obra de Adorno (II.2).palabras clavejusticia-vida buena-contradicción-falsa alternativaAbstractWe claim to current human a morality within of an emancipated society. The moral and political work must get both requirements. This paper reviews the distance between Justice and Good Life. I will try to find a link between both moral concepts (I). The paper shows the solution to problem in two Thinker (II). The first about the Philosophy of Kierkegaard (II.1) ; the second about the Philosophy of Adorno (II.2).keys wordsjustice- good life- contradiction- wrong alternative

1998 ◽  
Vol 43 (10) ◽  
pp. 667-668
Author(s):  
Isaac Prilleltensky
Keyword(s):  

PsycCRITIQUES ◽  
2010 ◽  
Vol 55 (10) ◽  
Author(s):  
Jeffrey A. Daniels
Keyword(s):  

1999 ◽  
Author(s):  
Christie K. Napa ◽  
Laura A. King
Keyword(s):  

2011 ◽  
Author(s):  
Stavroula Tsirogianni
Keyword(s):  

1990 ◽  
Vol 9 (2) ◽  
pp. 153-155
Author(s):  
Esmee Cromie Bellalta
Keyword(s):  

2020 ◽  
Vol 97 (2) ◽  
pp. 112-123
Author(s):  
John D. Fair

Uneasily situated between counterculture images projected by James Dean in Rebel Without a Cause (1955) and the dawning of the “Age of Aquarius” a decade later, there emerged a motion picture interlude of innocence on the beaches of Southern California. It was fostered by Gidget (1959) and then thirty “surf and sex” movies that focused on young, attractive bodies and beach escapades rather than serious social causes.The films, argues Kirse May, “created an ideal teenage existence, marked by consumption, leisure, and little else.” Stephen Tropiano explains how their popularity helped shape “the archetypal image of the American teenager” and, reinforced by the surfin' sounds of Jan and Dean, the Beach Boys, and other recording groups, “turned America's attention to the Southern California coastline,” where “those who never set foot on its sandy shores were led to believe that life on the West Coast was a twenty-four-hour beach party.” This study examines a notable film of this genre to determine how musclemen were exploited to exhibit this playful spirit and how their negative reception reinforced an existing disregard toward physical culture. Muscle Beach Party illustrates how physical culture served other agendas, namely the need to address American fears of juvenile delinquency and to revive sagging box-office receipts within the guise of the “good life” of California.


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