CHARACTER’S LANGUAGE FEATURES IN ‘ILE’ BY EUGENNE O’NEIL

I Wayan Mulyawan

doi:10.24843/ljlc.2014.v02.i01.p09

CHARACTER’S LANGUAGE FEATURES IN ‘ILE’ BY EUGENNE O’NEIL

Lingual Journal of Language and Culture ◽

10.24843/ljlc.2014.v02.i01.p09 ◽

2014 ◽

Vol 2 (1) ◽

Author(s):

I Wayan Mulyawan

Keyword(s):

Motion Picture ◽

Main Character ◽

Action Crisis ◽

Literary Composition

This study focuses on analyzing of the language features used by the main character in “Ile” drama. Drama is a literary composition involving conflict, action crisis and atmosphere designed to be acted by players on a stage before an audience. This definition may be applied to motion picture drama as well as to the traditional stage. The main questions to be answered namely what the language features of the main character are. The analysis showed that every character uses certain language features as a manifestation of their role, atitude or status

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A one-dimensional self-gravitating stellar gas

Symposium - International Astronomical Union ◽

10.1017/s0074180900105261 ◽

1966 ◽

Vol 25 ◽

pp. 46-48 ◽

Cited By ~ 2

Author(s):

M. Lecar

Keyword(s):

Gravitational Field ◽

Phase Space ◽

Motion Picture ◽

Space Distribution ◽

Two Dimensional ◽

One Dimensional ◽

Phase Space Distribution ◽

Dimensional Phase Space ◽

The Mean

“Dynamical mixing”, i.e. relaxation of a stellar phase space distribution through interaction with the mean gravitational field, is numerically investigated for a one-dimensional self-gravitating stellar gas. Qualitative results are presented in the form of a motion picture of the flow of phase points (representing homogeneous slabs of stars) in two-dimensional phase space.

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Interactive Experience and Identification as Predictors of Attributing Responsibility in Video Games

Journal of Media Psychology Theories Methods and Applications ◽

10.1027/1864-1105/a000168 ◽

2018 ◽

Vol 30 (1) ◽

pp. 3-15

Author(s):

Nathan Walter ◽

Yariv Tsfati

Keyword(s):

Video Game ◽

Psychological Research ◽

External Factors ◽

Theoretical Expectation ◽

Main Character ◽

Attribution Of Responsibility ◽

Attributions Of Responsibility ◽

Violent Video Game ◽

Grand Theft Auto Iv ◽

Interactive Experience

Abstract. This study examines the effect of interactivity on the attribution of responsibility for the character’s actions in a violent video game. Through an experiment, we tested the hypothesis that identification with the main character in Grand Theft Auto IV mediates the effect of interactivity on attributions of responsibility for the main character’s antisocial behavior. Using the framework of the fundamental attribution error, we demonstrated that those who actually played the game, as opposed to those who simply watched someone else playing it, identified with the main character. In accordance with the theoretical expectation, those who played the game and came to identify with the main character attributed the responsibility for his actions to external factors such as “living in a violent society.” By contrast, those who did not interact with the game attributed responsibility for the character’s actions to his personality traits. These findings could be viewed as contrasting with psychological research suggesting that respondents should have distanced themselves from the violent protagonist rather than identifying with him, and with Iyengar’s (1991) expectation that more personalized episodic framing would be associated with attributing responsibility to the protagonist.

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Ignoring a Main Character: A Rookie Director’s Mistake

PsycCRITIQUES ◽

10.1037/a0023724 ◽

2011 ◽

Vol 56 (20) ◽

Author(s):

C. Albert Bardi

Keyword(s):

Main Character

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Marketing Violent Entertainment to Children: A Fifth Follow-up Review of Industry Practices in the Motion Picture, Music Recording & Electronic Game Industries

PsycEXTRA Dataset ◽

10.1037/e606722007-001 ◽

2007 ◽

Cited By ~ 3

Keyword(s):

Motion Picture ◽

Music Recording ◽

Electronic Game

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Development and Toning of Motion Picture Films

Scientific American ◽

10.1038/scientificamerican03171917-171asupp ◽

1917 ◽

Vol 83 (2150supp) ◽

pp. 171-171

Author(s):

Charles I. Reid

Keyword(s):

Motion Picture

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Motion Picture Magic

Scientific American ◽

10.1038/scientificamerican05151915-454 ◽

1915 ◽

Vol 112 (20) ◽

pp. 454-455

Author(s):

C. H. Claudy

Keyword(s):

Motion Picture

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Similar Birthmarks in Five Generations, Motion-Picture Photomicrography Simplified, and more

Scientific American ◽

10.1038/scientificamerican0828-156 ◽

1928 ◽

Vol 139 (2) ◽

pp. 156-159 ◽

Cited By ~ 1

Keyword(s):

Motion Picture

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Creativity as a Haven: An Angel at My Table (Jane Campion, 1990)

10.3366/edinburgh/9781474429443.003.0008 ◽

2018 ◽

Author(s):

Alistair Fox

Keyword(s):

Mental Illness ◽

New Zealand ◽

Coming Of Age ◽

Main Character ◽

Personal Investment ◽

Jane Campion

Through a comparison with Janet Frame’s Autobiography, from which it is adapted, this chapter analyses Jane Campion’s An Angel at My Table as the first New Zealand film to present all three of the main maturational phases characteristic of the coming-of-age genre, but as experienced by a Pākehā girl. Identifying the effects of a repressive environment as the source of the emotional stresses that lead the main character, Janet, to be institutionalized for schizophrenia, the discussion shows how she finds respite in fictive creativity and a world of the imagination. It also shows Campion’s personal investment in the story as a displaced representation of her own mother’s fight with mental illness.

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