scholarly journals Introduction: Canadian Holocaust Literature / Littérature canadienne sur l'Holocauste

2021 ◽  
Vol 32 ◽  
pp. 11-25
Author(s):  
Ruth Panofsky ◽  
Goldie Morgentaler
Keyword(s):  
2007 ◽  
Vol 12 (3) ◽  
pp. 109-133 ◽  
Author(s):  
Galia Glasner-Heled
Keyword(s):  

2020 ◽  
Vol 53 (2) ◽  
pp. 1-12
Author(s):  
Michael Berkowitz

This article argues that Albert Friedlander’s edited book, Out of the Whirlwind (1968), should be recognised as pathbreaking. Among the first to articulate the idea of ‘Holocaust literature’, it established a body of texts and contextualised these as a way to integrate literature – as well as historical writing, music, art and poetry – as critical to an understanding of the Holocaust. This article also situates Out of the Whirlwind through the personal history of Friedlander and his wife Evelyn, who was a co-creator of the book, his colleagues from Hebrew Union College, and the illustrator, Jacob Landau. It explores the work’s connection to the expansive, humanistic development of progressive Judaism in the United States, Britain and continental Europe. It also underscores Friedlander’s study of Leo Baeck as a means to understand the importance of mutual accountability, not only between Jews, but in Jews’ engagement with the wider world.


2012 ◽  
Author(s):  
DAVID G. ROSKIES ◽  
NAOMI DIAMANT
Keyword(s):  

This chapter reviews the book The Subject of Holocaust Fiction (2015), by Emily Miller Budick. In The Subject of Holocaust Fiction, Budick is not concerned with positions that denigrate or problematize Holocaust literature as moral or epistemological failure. Instead, she claims that Holocaust fiction has too often been taken by both ordinary readers and critics as quasi-authentic representations of the experiences of the victims of Nazism, as near-equivalents of survivor memoirs, or as witnesses through the imagination. Budick argues that we need to restore literariness to our appreciation of Holocaust fiction and insists that the subject of Holocaust fiction is subjectivity itself, the complex humanity of its characters, of the text itself, and perhaps most significantly, of its readers.


Author(s):  
Andrew Kahn ◽  
Mark Lipovetsky ◽  
Irina Reyfman ◽  
Stephanie Sandler

The chapter considers how, beginning with the Revolution and continuing across the centry, new narrative forms in prose and poetry fashion a discourse of national destiny. As narratives conceptualize historical change and convey the meanings of catastrophe, they develop new plotlines, metaphoric systems and mythological visions. The chapter argues that Russian literature on the Great Terror, collectivization, and Gulag achieves a focus on historical and personal trauma comparable to Holocaust literature. Soviet narratives of World War II also form an important trend from the 1940s through twenty-first century, serving simultaneously as the source of social criticism and the sustained attempt to redefine national identity.


2021 ◽  
Vol 18 ◽  
pp. 141-162
Author(s):  
Magdalena Ruta

The literary output of the Polish-Yiddish writers who survived WWII in the Soviet Union is mostly a literary mirror of the times of exile and wartime wandering. The two major themes that reverberate through these writings are: the refugees’ reflection on their stay in the USSR, and the Holocaust of Polish Jews. After the war, some of them described that period in their memoirs and autobiographical fiction, however, due to censorship, such accounts could only be published abroad, following the authors’ emigration from Poland. These writings significantly complement the texts produced during the war, offering plentiful details about life in Poland’s Eastern borderlands under Soviet rule as it was perceived by the refugees, or about the fate of specific persons in the subsequent wartime years. This literature, written in – and about – exile is not only an account of what was happening to Polish-Jewish refugees in the USSR, but also a testimony to their coping with an enormous psychological burden caused by the awareness (or the lack thereof) of the fate of Jews under Nazi German occupation. What emerges from all the literary texts published in post-war Poland, even despite the cuts and omissions caused by (self)-censorship, is an image of a postwar Jewish community affected by deep trauma, hurt and – so it seems – split into two groups: survivors in the East (vicarious witnesses), and survivors in Nazi-occupied Poland (direct victim witnesses). The article discusses on samples the necessity of extending and broadening of that image by adding to the reflection on Holocaust literature (which has been underway for many years) the reflection on the accounts of the experience of exile, Soviet forced labour camps, and wandering in the USSR contained in the entire corpus of literary works and memoirs written by Polish-Yiddish writers.


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