Development of philosophical anthropology in Kyiv Weltanschauung School

The article is dedicated to the development of philosophical anthropology in the Kyiv Weltanschauung School. It is shown that in studies devoted to this school there are certain differences. They concern both the time of the school's founding and its founders. The vast majority of researchers consider Volodymyr Shynkaruk to be the founder of the Kyiv Weltanschauung School and date its emergence in 1969, when the principles of Weltanschauung school were promulgated. At the same time, there is another point of view on the abolition of this school. Some researchers associate its appearance with the name of Pavlo Kopnin, who also had noticeable humanistic motives for philosophizing. Attempts to combine Weltanschauung and logical- epistemological approaches are also noticeable. In this connection it is talked about Kyiv Weltanschauung-Epistemological School. In my opinion, there are more reasons to consider Volodymyr Shynkaruk, the founder of the Kyiv Weltanschauung School, who initiated the study of man - the world of man, which is the core of the Weltanschauung .In Ukrainian philosophical thought, the anthropological turn Kyiv Weltanschauung School took place not on blank space. Representatives of this school, first of all its founder Volodymyr Shynkaruk, continued to some extent the tradition of "philosophy of heart" of H. Skovoroda and P. Yurkevich, on the other hand, their philosophical heritage strangely reflected the mainstream of modern philosophy, namely the turn from epistemology to anthropology, to the ontology of the world of human existence. It is necessary to distinguish between the understanding of philosophical anthropology in the narrow and broad sense. In a narrow sense, it is understood as a philosophical discipline that developed in the 20-30 years of the 20th century and is represented by the names Scheler, Helen, Plesner. In a broad sense, philosophical anthropology is a philosophical reflection on man in general. In this regard, such key problems of philosophical anthropology as human transcendence, its identity, goal-setting as a way of human self-realization are considered.

Size-Adaptive Texture Atlas Generation and Remapping for 3D Urban Building Models

A high-fidelity 3D urban building model requires large quantities of detailed textures, which can be non-tiled or tiled ones. The fast loading and rendering of these models remain challenges in web-based large-scale 3D city visualization. The traditional texture atlas methods compress all the textures of a model into one atlas, which needs extra blank space, and the size of the atlas is uncontrollable. This paper introduces a size-adaptive texture atlas method that can pack all the textures of a model without losing accuracy and increasing extra storage space. Our method includes two major steps: texture atlas generation and texture atlas remapping. First, all the textures of a model are classified into non-tiled and tiled ones. The maximum supported size of the texture is acquired from the graphics hardware card, and all the textures are packed into one or more atlases. Then, the texture atlases are remapped onto the geometric meshes. For the triangle with the original non-tiled texture, new texture coordinates in the texture atlases can be calculated directly. However, as for the triangle with the original tiled texture, it is clipped into many unit triangles to apply texture mapping. Although the method increases the mesh vertex number, the increased geometric vertices have much less impact on the rendering efficiency compared with the method of increasing the texture space. The experiment results show that our method can significantly improve building model rendering efficiency for large-scale 3D city visualization.

Heuristic-Assisted BERT for Twitter Sentiment Analysis

The identification of opinions and sentiments from tweets is termed as “Twitter Sentiment Analysis (TSA)”. The major process of TSA is to determine the sentiment or polarity of the tweet and then classifying them into a negative or positive tweet. There are several methods introduced for carrying out TSA, however, it remains to be challenging due to slang words, modern accents, grammatical and spelling mistakes, and other issues that could not be solved by existing techniques. This work develops a novel customized BERT-oriented sentiment classification that encompasses two main phases: pre-processing and tokenization, and a “Customized Bidirectional Encoder Representations from Transformers (BERT)”-based classification. At first, the gathered raw tweets are pre-processed under stop-word removal, stemming and blank space removal. After pre-processing, the semantic words are obtained, from which the meaningful words (tokens) are extracted in the tokenization phase. Consequently, these extracted tokens are classified via optimized BERT, where biases and weight are tuned optimally by Particle-Assisted Circle Updating Position (PA-CUP). Moreover, the maximal sequence length of the BERT encoder is updated using standard PA-CUP. Finally, the performance analysis is carried out to substantiate the enhancement of the proposed model.

Anthropologisches Denken in der Neuen Rechten

Anthropological Concepts in the New Right. The Example of Arnold Gehlen The contribution is guided by the thesis that anthropology marks a blank space in the analysis of the New Right. First, historical developments, ideologies and strategies of the New Right are analysed. In a second step, the anthropology of Arnold Gehlen is presented. Then its reception by central protagonists of the New Right is discussed. The paper concludes with an orientation of the topic within the spectrum of political education.

A Sketch of the Digital Page

With today’s increasingly digitized culture, we are witnessing an ideological shift toward paperless communication and the emergence of the digital page. Yet, we continue to conceptualize the visual structure of information using the language of print, imposing unnecessary limitations. Recent efforts in e-book development most vividly highlight the need for study of the distinct features of the electronic format and, in turn, the associated range of effects on the way we interact with information. In the first half of the present paper, I situate the notion of the page in multiple socio-historic and theoretical contexts, rationalizing its broad viability as a visual solution for the digital display environment. In the second half, I describe some of the characteristics of digital pages, as viewed with a conventional personal computer, using examples from a cross-section of functional contexts, including Adobe Reader, NYTimes.com, Twitter, YouTube, and Google Maps. Drawing on the field of information design, I apply visual analysis to general characteristics (an exploratory term comprising dimensions, blank space, colour, content, printability, and interactivity), composition, and typographic legibility. Based on a very limited data set, my findings indicate that digital pages currently have a distinctly vertical orientation, requiring extensive use of scrolling, and do not utilize the full area of the computer screen. They offer a dynamic multimedia experience that does not lend itself to printing. Simple, streamlined grid structures and proven proportional relationships are found to produce the most balanced and accessible compositions, while typographic legibility is found to suffer from excessive column width. I thus generate an introductory sketch of the basic structure of the digital page to help advance our understanding of the electronic interface

A Sketch of the Digital Page

With today’s increasingly digitized culture, we are witnessing an ideological shift toward paperless communication and the emergence of the digital page. Yet, we continue to conceptualize the visual structure of information using the language of print, imposing unnecessary limitations. Recent efforts in e-book development most vividly highlight the need for study of the distinct features of the electronic format and, in turn, the associated range of effects on the way we interact with information. In the first half of the present paper, I situate the notion of the page in multiple socio-historic and theoretical contexts, rationalizing its broad viability as a visual solution for the digital display environment. In the second half, I describe some of the characteristics of digital pages, as viewed with a conventional personal computer, using examples from a cross-section of functional contexts, including Adobe Reader, NYTimes.com, Twitter, YouTube, and Google Maps. Drawing on the field of information design, I apply visual analysis to general characteristics (an exploratory term comprising dimensions, blank space, colour, content, printability, and interactivity), composition, and typographic legibility. Based on a very limited data set, my findings indicate that digital pages currently have a distinctly vertical orientation, requiring extensive use of scrolling, and do not utilize the full area of the computer screen. They offer a dynamic multimedia experience that does not lend itself to printing. Simple, streamlined grid structures and proven proportional relationships are found to produce the most balanced and accessible compositions, while typographic legibility is found to suffer from excessive column width. I thus generate an introductory sketch of the basic structure of the digital page to help advance our understanding of the electronic interface

Shaping the Lyric: Blank Space in the Poetry of Emily Berry and Ocean Vuong

Emily Berry and Ocean Vuong have each written about their fascination with the physical and linguistic arrangement of a poemon the page, and yet their poetry has typically been read as purely confessional, concerned primarily with emotion and the revelation of personal experience, rather than an attempt to interrogate the nature of language itself. This article examines Emily Berry’sStranger, Baby and Ocean Vuong’s Night Sky with Exit Wounds,analysing their use of blank space in these collections, and the way in which they use this space, in its physical, linguistic and metaphorical forms, to emphasise the constructed nature of their poems, to evoke a sense of absence, distance or detachment, presentingus with the emotional complexities of grief, abandonment and dislocation, whilst also demonstrating these emotional states to the reader. It will propose that this use of blank space creates, ineffect, a new form of lyric poetry, one which combines the experiential focus of the confessional lyric with the self-analysis of the Imagists and Language poets, so that Berry and Vuong interrogate the inevitable failure of their own poems, emphasising theimpossible gap between traumatic experience and its articulation through language.

Play Victim dalam Lirik Lagu-Lagu Taylor Swift

Taylor Swift, dituding melakukan playing victim dan berperan sebagai korban dari mantan kekasihnya. Hal ini terlihat dari lirik lagu yang dibuatnya setelah ia patah hati dan seakan ditujukan untuk mantan kekasihnya. Lagu tersebut antara lain Shake It Off, You Belong with Me, Blank Space, Love Story, dan I Knew You Were Trouble. Tujuan penelitian ini untuk mengetahui bagaimana Taylor Swift melakukan Play Victim melalui lagunya; mengetahui apakah penggemar Taylor Swift menyadari sang idola melakukan Play Victim dan apakah mereka tetap menjadi penggemar Taylor Swift setelah tahu apa yang dilakukan olehnya? Penelitian ini menggunakan metode kualitatif. Data primer diperoleh melalui wawancara mendalam dengan fans Taylor Swift dan data sekunder dari artikel majalah, website dan berita. Hasil penelitian menunjukkan, secara implisit Taylor Swift melakukan playing victim dan menjadi korban dari mantan kekasihnya. Dia juga merasa dirinya adalah korban dari ejekan dan cacian para haters-nya. Meski begitu, Taylor tidak peduli dengan apa yang dikatakan oleh orang lain. Menurutnya, tidak ada yang bisa mengatur opini atau perkataan orang lain.