scholarly journals Women Periodicals in the New Woman Print Culture of Fin-de-Siècle Britain

Author(s):  
Carmen Font Paz

Abstract:The 1890s saw an increasing feminization of the literary marketplace, as more than a hundred novels representing the ‘New Woman’ defying the conventional Victorian marriage plot and values were published. Contemporary print culture was aware of the emergence of a type of woman who was educated, independent-minded, and eager to consume both fiction and journalism. Focusing on four long issues of the magazine Womanhood (1894-1904), this article will explore the ways it departed from ‘family’ papers and emerged as an outlet for much of the New Woman thought. Womanhood sought to change the reading strategies of women by empowering them to gain a critical and crucial knowledge of social realities. Thus, ‘New Woman’ did not necessarily construct a gender identity in relation to the text, but developed a knowledge and empowerment of the female self by the act of reading print culture and novels in a new light.Keywords: New Woman; Womanhood; Fin-de-siècle; Print Culture; Selfhood.Title in Spanish: Periódicos femeninos de la cultura editorial de la Nueva Mujer en la Gran Bretaña de fin de sigloResumen:La década de 1890 fue testigo de una creciente feminización del mercado literario con la publicación de más de un centenar de novelas que representaban a la ‘Nueva Mujer’ desafiando a la trama convencional victoriana y sus valores. La cultura impresa contemporánea era consciente del emerger de una clase de mujer cultivada, independiente y ansiosa por consumir obras de ficción y periodismo. Este artículo se centra en cuatro números de la revista Womanhood (1894-1904) para explorar el modo en que sus contenidos se distanciaban de los periódicos “familiares” y se erigían como baluartes del pensamiento de la Nueva Mujer en el Reino Unido. Womanhood buscaba cambiar las estrategias de lectura de las mujeres capacitándolas para obtener un conocimiento crítico y crucial de las realidades sociales. De este modo, la Nueva Mujer no construía necesariamente una identidad de género en relación al texto, sino que desarrollaba un conocimiento y capacitación de la esencia femenina por el mero hecho de leer novelas y artículos bajo un prisma distinto.Palabras Clave: Nueva Mujer; Womanhood; Fin-de-siècle; Cultura impresa; identidad del yo. 

Author(s):  
Matthew L. Reznicek

Katherine Cecil Thurston’s 1910 novel, Max, explores the bohemian Paris of the fin-de-siècle through the eyes of a young artist newly arrived from Russia. This young man is, however, actually a young princess in disguise, trying to escape an abusive marriage. Through the use of disguise and the New Woman figure of the female-to-male transvestite, this novel represents Paris through two competing genres: the masculine adventure narrative and the female romance.


Author(s):  
Lena Wånggren

This sixth chapter concludes the monograph by examining the figure of the New Woman detective and the specific technologies of detection employed. While women could not enter the British police force until well into the twentieth century, female detectives had been a part of British crime and detective fiction since the 1860s, culminating in the 1890s with the rise of New Woman detective. Mapping the literary trope of the New Woman detective, and the part played by modern technologies in these narratives, the chapter considers the nature of forensic evidence and the gendered use of technologies in producing this knowledge. Reading M. McDonnell Bodkin’s Dora Myrl, the Lady Detective (1900), the chapter considers New Woman detective fiction as a culmination of the New Woman’s use of technologies at the fin de siècle.


Sign in / Sign up

Export Citation Format

Share Document