Missing out on the “Men’s Club”: Gendered Attitudes to Intrapreneurship within Large Corporations

This paper explores the factors that influence innovative and intrapreneurial behaviour amongst female employees. The paper explores a case study of one business unit (of approximately 1,100 employees) within a much larger corporation. It uses a qualitative methodology of semi-structured interviews to explore (1) the factors that influence innovative and intrapreneurial behaviour amongst female employees and (2) how these factors are influenced by the organisation. The paper is part of an emerging research agenda that explores gendered attitudes to intrapreneurial behaviour. This is an extremely under-researched area of research which tends to borrow heavily from studies into female self-employment. The paper demonstrates that rather than focus upon female attitudes to risk or lifestyle choices, the primary issue facing potential female intrapreneurs is implicit and explicit gatekeeping by male-dominated "innovation teams".

Writing the Self: A Study on Buchi Emecheta’s Autobiographical Novel Second Class Citizen

Life-writing, according to Sidonie Smith and Julia Watson, is a general term for the writing of diverse kinds that takes life as its subject. Such writing can be biographical, novelistic, historical, or an explicit self-reference to the writer. As autobiographies, as well as autobiographical novels, can be considered as self-referential modes of writing, a notion of the terms in which the subject preconceives himself/herself becomes pervasive for understanding autobiographies as well as autobiographical novels. Susan Stanford Friedman, in her essay “Women’s Autobiographical Selves: Theory and Practice” (1988) opens a critique of a seminal essay by Georges Gusdorf where he states that the cultural precondition for autobiography is a pervasive concept of individualism, a “conscious awareness of the singularity of each individual life” (Qtd in Friedman 72). Friedman argues that the individualistic concept of the autobiographical self that pervades Gusdorf’s work raises serious problems for critics who recognise that the “self, self-creation, and self-consciousness are profoundly different for women, minorities, and many non-western peoples” (Friedman 73). While taking into account the differences in socialization in the construction of male and female gender identity, Friedman refers to Regina Blackburn in her “In Search of the Black Female Self” and says that the “black women autobiographers use the genre to redefine ‘the black female self in black terms from a black perspective’” (Qtd in Freidman 78). Moreover, in the postcolonial context, C.L. Innes in The Cambridge Introduction to Postcolonial Literatures in English (2007) considers the use of the self-referential mode as a tool by postcolonial writers to represent his/her culture and also to capture and address contemporary concerns. Against this backdrop, this paper seeks to explore the use of the self-referential mode by the Nigerian writer Buchi Emecheta in her autobiographical novel Second-Class Citizen (1974)

Differences and determinants of female entrepreneurship across selected EU countries: some empirical evidence for the period 2010–2018

There is a wide differentiation in the level of female entrepreneurship across European Union countries. The literature emphasises the importance of various intrinsic (i.e. education, experience, human capital, access to capital resources) and extrinsic (i.e. influencing the level of entrepreneurship) factors. The purpose of this article is to empirically analyse the relationship between the level of female self-employment and the economic and social determinants of female labour force participation for 19 EU member states. This article uses panel data techniques to empirically analyse the relationship between the female self-employment and the following: gross domestic product per capita, female unemployment rate, total fertility rate, crude marriage rate, people at risk of poverty or social exclusion by age, gender wage gap (median) for full-time employees, masculinization index. Simple statistical methods and Pearson correlation coefficient were used in this paper. An econometric model was created to verify the factors affecting the level of female self-employment. Statistical data collected by Eurostat and the OECD were used to conduct the analyses. Due to limited data availability, the study covers the years 2010–2018. Gretl and Excel were used to conduct the analysis.

Contours of Feminist Consciousness in the Musical and Theatrical Life of Vilnius: The Second Half of the Nineteenth Century and the Early Twentieth Century

Feminism is a broad concept, and its definition is a constant subject of debate. The article is limited to the treatment of feminism as one of the aspects in the development of female identity. The chronological boundaries of feminism discussed in this article cover the period from the second half of the nineteenth to the beginning of the twentieth century. This period is traditionally considered the first wave of feminism as an organized movement. Although primarily associated with the fight for the right of women to vote, this movement also extended to women’s other social and professional fields. Both in Lithuania and other countries, the growing modernisation of society gradually rendered the general attitude towards women’s creative work more liberal: the artistic expression of actresses and female musicians became freer. However, the shift in public consciousness and the transformation of values was not fast enough. Traditions of social life and the stereotypes of gender cohesion resulted in diverse public reflections on these changes for a long period of time: women were often subjected to one set of standards on the stage and another set of standards when off the stage. The theatrical and concert life of Vilnius, Lithuania’s major culture hub, witnessed more and more examples (both local and foreign) that reflected the change in female self-expression. On the theatre stage, actresses demonstrated unusually bold means of acting expression (admittedly, this phenomenon was partly due to the epochal changes in theatre art), dared to play male roles. The number of female soloists in concerts was growing: female singers and pianists had to compete with violinists. Although with caution (triggered by the position of the instrument while playing it), female cellists were admitted to the cultural space. It should be noted that the striving of a woman – an actress or a musician –to break or ignore the deep-rooted public stereotypes would often receive a controversial response from the public and the reviewers of cultural events.

Movement Behaviors and Mental Wellbeing: A Cross-Sectional Isotemporal Substitution Analysis of Canadian Adolescents

Background: Studies have shown reallocating screen time for healthy movement behaviors such as physical activity and sleep can provide important benefits for mental health. However, the focus on positive aspects of mental health such as wellbeing has received limited attention, particularly among adolescents. The purpose of this study was to examine the effects of reallocating physical activity, screen time, and sleep on mental wellbeing in adolescents.Methods: This study involved cross-sectional analysis of data from Wave 1 of the ADAPT study. A total of 1,118 Canadian adolescents enrolled in grade 11 classes (MAGE = 15.92; 54.5% female) self-reported their movement behaviors using the International Physical Activity Questionnaire – Short Form to assess moderate-to-vigorous physical activity and daily recall questionnaires to assess recreational screen time and sleep. Participants also completed three measures of mental wellbeing: the Flourishing Scale, Rosenberg Self-Esteem Scale, and a brief Resiliency scale from the Canadian Campus Wellbeing Survey.Results: Isotemporal substitution analysis revealed replacing 60 min of screen time with either moderate-to-vigorous physical activity or sleep has significant benefits for mental wellbeing. Comparatively, reallocating 60 min between moderate-to-vigorous physical activity and sleep does not impact mental wellbeing.Discussion: Findings suggest healthy movement behaviors confer similar beneficial effects for adolescent’s mental wellbeing. Health promotion campaigns targeted toward adolescents should consider highlighting that reallocation of screen time to either sleep or moderate-to-vigorous physical activity may provide important benefits for mental wellbeing.

An Exploration of Domain-Specific Sedentary Behaviors in College Students by Lifestyle Factors and Sociodemographics

College students exhibit high levels of sedentary time and/or poor lifestyle factors (e.g., poor sleep, stress, physical inactivity). It is unknown; however, in what domains college students spend their sedentary time and whether there are associations between sedentary time and these lifestyle factors. This study examined sedentary behavior of college students by domains, current lifestyle factors and sociodemographics. Undergraduates (n = 272, M age = 20 years, 79% female) self-reported their sedentary behavior, sleep, stress, physical activity, anthropometrics and sociodemographics. Sedentary time was categorized as: total, recreational screen, education and social. Students reported spending >12 h of their day sedentary on average, with over a third of this time spent in recreational screen time. All categories of sedentary time were significantly correlated with body mass index, and both total sedentary time and screen time were significantly correlated with sleep score, with poorer sleep quality associated with greater sedentary time. Physical activity was negatively correlated with social sedentary time only. Subgroups with elevated sedentary time included minority students, those with low parental education and students with overweight/obesity. Given the negative health impacts of sedentary behavior, college students would likely benefit from interventions tailored to this population which target reducing sedentary time, particularly recreational screen time.

New Women’s Biopics: Performance and the Queering of Herstor/ies

This article revisits the debates about the postfeminist biopic in the 21st century through the films Wild Nights with Emily (Olnek, 2018), Florence Foster Jenkins (Frears, 2016), The Favourite (Lanthimos, 2018) and particularly Colette (Westmoreland, 2018) to examine the ways in which new women’s biopics queer women’s histories. The article examines the debates about representation concerning the female biopic (Bingham 2010, Polaschek 2013), especially the problematic conflation of a woman’s body/sexuality with her body of work and proposes an analysis of screen biography as a filmic (that is, mediated) event open to non-normative identifications and desires. Biopics of women demand a shift in focus from representation to performance, both in relation to the actor’s function as the cornerstone of the biographical fiction and in relation to the performativity of the genre itself. Drawing on Landsberg (2015), I argue that new women’s biopics stage encounters between the spectator and the historical figure through different forms of mediation. In this respect, I examine the modalities of reflexive performance in connection with queer bodies and subjectivities in the first three films cited above, before moving on to a case study on Colette. Colette largely plays in the mid-Atlantic idiom of the postfeminist biopic (Polaschek 2013), including a non-imitative star turn by Keira Knightley, whose star persona is briefly analysed, yet the film’s queerness entertains a complex relationship with this postfeminist framework. While queer identities risk becoming diluted into the standard trajectory of female emancipation proposed by the film (a narrative invested with added urgency in the post-#MeToo moment), performance inflects this narrative differently: the intermedial mise-en-scène (particularly photographic posing, theatre, and dance) makes Colette a biopic equally concerned with the retrieval of women’s histories as with the production of the queer female self against the backdrop of patriarchal cultural industries.

713Domestic violence and self-poisoning in Sri Lanka

Background There is increasing evidence that domestic violence is an important risk factor for suicidal behaviour. The level of risk of domestic violence (DV) and its contribution to the overall burden of suicidal behaviour has not been quantified in South Asia, where 37% of suicide deaths globally occur. We examined the association between DV and self-poisoning in Sri Lanka through a large case-control study. Methods Multivariable logistic regression models were conducted on 298 self-poisoning cases and 500 hospital controls to estimate the association between domestic violence and self-poisoning, and population attributable fractions (PAF) were estimated. Sensitivity analyses were conducted using 455 population-based controls. Results DV exposure within the previous 12 months was strongly associated with self-poisoning for women (adjusted OR [AOR] 4·08, 95%CI 1·60-4·78) and men (AOR 2·52, 95%CI 1·51-4·21), compared to no abuse. Physical violence showed the highest risk among women, whereas among men, emotional abuse showed the highest risk (AOR 2·75, 95%CI 1·57-4·82). PAF% for exposure to at least one type of DV was 38% (95%CI 32-43) in women and 22% (95 CI 14-29) in men. Conclusions DV was strongly associated with suicidal behaviour for men and women. Almost 40% of female self-poisoning cases and a fifth of male cases may be reduced if domestic violence is addressed. Key messages The significant contribution of DV to the overall burden of self-poisoning suggests preventative and curative interventions to address domestic violence may yield significant gains in reducing suicidal behaviour in Sri Lanka, and other similar settings.