scholarly journals De trop – l’infini. À l’écoute de Raphaël Cendo avec Jean-Luc Nancy

2014 ◽  
Vol 11 (2) ◽  
pp. 9-19
Author(s):  
Cosmin Toma

Qu’est-ce qu’une musique de fin de monde ? Avec son Introduction aux ténèbres (2009), le compositeur français Raphaël Cendo nous donne à entendre l’excès infini de la fin des fins, en travaillant à la fois ce qu’il appelle la « saturation » et l’« infrasaturation » du son à travers une partition où l’inachèvement est redéfini comme ce qui, dans l’art musical, est de trop, c’est-à-dire ce qui passe outre la création du monde. Une telle conception de la musique rappelle certains textes-clé du philosophe Jean-Luc Nancy (dont À l’écoute, TROP et « De l’œuvre et des œuvres »), où l’art des sons est repensé comme « ressentir » exemplaire, c’est-à-dire comme la structure même de la réflexion ou vibration d’un sens à la limite d’un monde finissant, jusqu’à l’excès d’une sorte de résurrection d’où le nom de Dieu a été évacué au nom de la musique des ténèbres. ABSTRACT What does music sound like at world’s end? With his Introduction aux ténèbres (Introduction to Darkness, 2009), French composer Raphaël Cendo scores the infinite excess of the end-all, simultaneously foregrounding what he calls the “saturation” and “infrasaturation” of sound. Indeed, his work redefines unfinishedness as that which lies in excess, overriding the creation of the world. This conception of music recalls some of French philosopher Jean-Luc Nancy’s key writings on the matter (most notably Listening, TROP and “De l’œuvre et des œuvres”), which rethink the art of sound as a particularly significant and intense kind of “feeling” or “sense”. More specifically, what is at stake here is the very structure that reflects meaning or sense when it reaches its end—the end of the world—sounding and resounding its way towards a kind of nameless, “godless” resurrection, where the music of darkness is all that’s left.

2019 ◽  
pp. 10-39
Author(s):  
Owen Stanwood

This chapter focuses on Europe itself, in order to chronicle the creation of the Huguenot diaspora. Starting with the example of the theologian Pierre Jurieu, it shows how the coming of persecution led Huguenots to define themselves as a godly remnant of the once great French Protestant church. Thousands of refugees scattered around Europe, where they sought aid from Protestant rulers even as they promoted themselves as people with a particular role in cosmic history. Jurieu was the leading promoter of this specialness, which he took from a close reading of Revelation, but which had political implications. Jurieu and other Huguenot leaders especially sought to create “colonies,” self-contained Huguenot communities around Europe that could preserve the refugees’ faith for an eventual return to France. Over the course of the 1680s and 1690s these colonies appeared around Europe, from Germany to Ireland, and set the stage for the Huguenots’ global expansion.


1994 ◽  
Vol 10 ◽  
pp. 151-166
Author(s):  
Johanna Roelevink

When T. S. Eliot contemplated the void and the darkness after the Creation, he assumed that there must have been a predetermined moment through which time was made: for without the meaning there is no time, and that moment of time gave the meaning.We are about to meet an early eighteenth-century scholar who tackled the very same problem, the relation between the lapse of’historical’ time and the ultimate meaning of history. But to him, like so many others, time just started with the movement of the stars, which mercifully also provided adequate means for measuring it. In the beginning was chronology. And in its inexorable progress the lapse of time would also in due course spell the end of the world. But when precisely? The answer of our particular scholar to this question sounds deceptively simple. The Bible teaches that God created the world in six days and rested on the seventh. Again, Holy Scripture reveals that to him one day is as a thousand years and a thousand years as one day. So here, by way of analogy, we have the outline of world history. Once having computed the date of the Creation, we can easily deduce that Our Lord Jesus Christ will return on 11 November 1740 to inaugurate his glorious reign.


Author(s):  
Igor H. De Souza

A discussion of Création du monde et limites du langage. Sur l’art d’écrire des philosophes juifs médiévaux by David Lemler. Published Online (2021-08-31)Copyright © 2021 by Igor H. De Souza Article PDF Link: https://jps.library.utoronto.ca/index.php/aestimatio/article/view/37702/28700 Corresponding Author: Igor H. De Souza, Yale UniversityE-Mail: [email protected]


Religions ◽  
2021 ◽  
Vol 13 (1) ◽  
pp. 1
Author(s):  
Mohammad Ali Amir-Moezzi

The study is dedicated to the complex relationship between the Alides (supporters of ‘Alī ibn Abī Ṭālib and their descendants, later called the Shi’is) and the Qur’an, especially in the early times of Islam. Several points are examined in order to put these relations into perspective. First of all, it is important to remember that the Quranic corpus was elaborated in the atmosphere of the civil wars that marked the birth and the first developments of Islam. These wars seem to have played a major role in the elaboration of the official version of the Quran, which the Alides would have considered a falsified and hardly understandable version of the Revelation. The problem of falsification (taḥrīf) as well as the belief in the existence of a hidden meaning of the Quran led to the Shi’i doctrine on the necessity for interpretation (tafsīr, ta’wīl) in order to make the Sacred Text intelligible. It is also important to question the reasons for the civil wars between the faithful of Muḥammad. According to the Quran and the Hadith, Muḥammad came to announce the end of the world. He therefore also announced the coming of the Messiah, the Saviour of the end times. Now, according to some sources, ‘Alī is this Saviour. The problem is that after the death of Muḥammad, according to Shi’is, the opponents of ‘Alī took power. With the conquests and the birth of the Arab empire, the rewriting of history and the creation of a new collective memory seem to have become necessary in order to marginalise ‘Alī, among other reasons, and consolidate the caliphal power.


Author(s):  
David Cook ◽  
Nu'aym b. Hammad al-Marwazi

“The Book of Tribulations by Nu`aym b. Hammad al-Marwazi (d. 844) is the earliest Muslim apocalyptic work to come down to us. Its contents focus upon the cataclysmic events to happen before the end of the world, the wars against the Byzantines, and the Turks, and the Muslim civil wars. There is extensive material about the Mahdi (messianic figure), the Muslim Antichrist and the return of Jesus, as well as descriptions of Gog and Magog. Much of the material in Nu`aym today is utilized by Salafi-jihadi groups fighting in Syria and Iraq.


Moreana ◽  
2008 ◽  
Vol 45 (Number 173) (1) ◽  
pp. 167-174
Author(s):  
Peter Milward

In conjunction with the current “revisionism” of English history from a Catholic viewpoint, it is time to undertake a corresponding revision of the plays and personality of William Shakespeare. For this purpose it is not enough to rest content with the meagre historical record, but we have to go ahead in the light of recusant history with a reinterpretation of the plays, considering the extent to which they lend themselves to the Catholic viewpoint. This is not merely a matter of nostalgia for the mediaeval past, but it looks above all to the present sufferings of the “disinherited” English Catholics — in the light of the continued presence of Christ who is suffering, as Pascal famously noted, in his faithful even till the end of the world.


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