Roze Hentschel, The Culture of Cloth in Early Modern England: Textual Constructions of a National Identity/ Maria Hayward, Rich Apparel: Clothing and the Law in Henry VIII's England

TEXTILE ◽  
2010 ◽  
Vol 8 (3) ◽  
pp. 389-390 ◽  
Author(s):  
Ann R. Jones
2009 ◽  
Vol 52 (3) ◽  
pp. 537-556 ◽  
Author(s):  
BERNARD CAPP

ABSTRACTThough divorce followed by remarriage was illegal in early modern England, a considerable number of people whose marriage had failed or whose spouse had deserted ventured to marry again, either uncertain of the law or choosing to defy it. Bigamy, traditionally a spiritual offence, came to be seen as a significant social problem and was made a felony in 1604. Drawing on ecclesiastical and secular court records and a variety of other sources, this article examines the legal framework, offers a typology of bigamists, and explores the circumstances surrounding their actions. It finds that offenders, predominantly male, ranged from the unlucky or feckless to the cynically manipulative, among them a small number of serial bigamists. It also asks how such offences might come to light in an age of relatively poor communications, and examines the plight of those who had married a bigamist in good faith. Finally it examines the likelihood of conviction, and the punishment of those who confessed or were convicted.


Author(s):  
Subha Mukherji

Law and the literary imagination in early modern England had shared stakes in the relation between face and intent, surface and significance, truth and semblance, nature and artifice. Using the legally attuned dramatist John Webster’s The White Devil as its central example, this chapter probes law’s preoccupation with legibility and the way in which drama enters into dialogue with it. In the process, law emerges an interface between an expressive mode and a hermeneutic model, and thus an imaginative resource for literary writers interested in selfhood and inwardness. Ultimately, the argument intimates how the gaps and dualities of the interrelation between the theatre and the law are used by early modern dramatic practice to conceptualize the larger interrelation between literary and legal epistemologies.


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