“Rich like a Lady”: Cross-Class Dressing in the Brothels and Theaters of Early Modern London

2008 ◽  
Vol 8 (1) ◽  
pp. 4-34 ◽  
Author(s):  
Cristine M. Varholy
Keyword(s):  
Early Modern ◽  
Early Modern London

[I] ‘did write this Wyll with my own hand’

2020 ◽  
Vol 32 (4) ◽  
pp. 66-77
Author(s):  
Vassiliki Markidou
Keyword(s):  
Early Modern ◽  
Urban Landscape ◽  
Nation Building ◽  
Early Modern London ◽  
First Time ◽  
Shed Light

This article attempts for the first time to shed light on the politics of simulation and dissimulation in Isabella Whitney’s ‘Wyll and Testament’. It also argues that the poem both reflects its creator’s awareness of the celebrated English historical and topographical narratives and deviates from them by crucially omitting a seminal part of London’s history, namely its Troynovant tradition. In so doing, as well as by defining a paradoxical urban landscape, Whitney presents a tale not of the (mythic) founding of the English capital with its patriarchal and nation-building connotations, but of its (satiric) bequeathal by benevolent femininity, as such offering its reader a different angle from which to explore and interpret early modern London.

scholarly journals CONTESTED LEGITIMACY AND THE AMBIGUOUS RISE OF VESTRIES IN EARLY MODERN LONDON

2011 ◽  
Vol 54 (1) ◽  
pp. 25-45 ◽  
Author(s):  
J. F. MERRITT
Keyword(s):  
Early Modern ◽  
State Formation ◽  
Legal Framework ◽  
Royal Commission ◽  
The Political ◽  
Religious Authority ◽  
Multiple Sources ◽  
Legal Challenges ◽  
Early Modern London

ABSTRACTStudies of the rise of London's vestries in the period to 1640 have tended to discuss them in terms of the inexorable rise of oligarchy and state formation. This article re-examines the emergence of the vestries in several ways, moving beyond this traditional focus on oligarchy, and noting how London's vestries raised much broader issues concerning law, custom, and lay religious authority. The article reveals a notable contrast between the widespread influence and activities of London vestries and the questionable legal framework in which they operated. The political and ecclesiastical authorities – and in particular Archbishop Laud – are also shown to have had very mixed attitudes towards the legitimacy and desirability of powerful vestries. The apparently smooth and relentless spread of select vestries in the pre-war period is also shown to be illusory. The granting of vestry ‘faculties’ by the authorities ceased abruptly at the end of the 1620s, amid a series of serious legal challenges, on both local and ideological grounds, to the existence of vestries. Their rise had thus been seriously contested and stymied well before the upheavals of the 1640s, although opposition to them came from multiple sources – Laudians, Henry Spelman and the royal Commission on Fees, and local parishioners – whose objectives could vary.

Imagining Early Modern London: Perceptions and Portrayals of the City from Stow to Strype 1598-1720

2003 ◽  
Vol 34 (2) ◽  
pp. 497
Author(s):  
Joseph P. Ward ◽  
J. F. Merritt
Keyword(s):  
Early Modern ◽  
Early Modern London ◽  
The City

scholarly journals Ovid’s urban metamorphosis

Sederi ◽  
2019 ◽  
pp. 85-108
Author(s):  
Clark Hulse
Keyword(s):  
Early Modern ◽  
Ancient Rome ◽  
Ethical Obligation ◽  
The Arts ◽  
Early Modern London

In Book XV of Ovid’s Metamorphoses, Pythagoras meditates on the rise and fall of cities and foresees that the survival of Rome requires turning from war to the “arts of peace.” Once ancient Rome has fallen, its urban imagery hybridizes with a Biblical counter-imagery in which God wills the ruination of Rome and other centers of wickedness. Through this Ovidian/Pythagorean lens, this essay then examines how Spenser confronts the fall and rise and possible fall again of early modern London, with glances also at Shakespeare and Dryden. This Ovidian model creates challenges of identity, belief, and ethical obligation that result in an “outward turn” of the theme of metamorphosis toward its social boundary.

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