The Holocaust: Private Memories, Public Memory

1998 ◽  
Vol 4 (2) ◽  
pp. 40-58 ◽  
Author(s):  
Anita Shapira
Keyword(s):  
2001 ◽  
Vol 4 (3) ◽  
pp. 543-558 ◽  
Author(s):  
Roy Jay Schwartzman
Keyword(s):  

1970 ◽  
Vol 28 (1) ◽  
pp. 22-37
Author(s):  
Diana Isidora Popescu

This article addresses the performative dimension of the post-1989 Polish memorial culture of the Holocaust, characterised by a collaborative and audience-participatory model of remembering the Jewish victims. In this model participants are invited to become creators and owners of public memory, rather than silent observers or witnesses to commemorations performed by others. The article offers a critical and theoretical understanding of performativity in Holocaust commemoration through the examples of educational memorial actions Listy do Henia (‘Letters to Henio’) and Kroniki sejneńskie (‘The Sejny Chronicles’) led by the Polish grassroots institutions Ośrodek Brama Grodzka (‘Grodzka Gate-NN Theatre Centre’) in Lublin and Ośrodek Pogranicze (‘Borderland Foundation’) in Sejny. Drawing mainly on Polish perspectives on memory, the article examines the aesthetic and ethical value of these actions. It further probes how a performative model of engagement can serve to expose the complex past of Polish–Jewish relations, to bring the historical past vividly into current consciousness, and to facilitate a sense of belonging to a moral community of memory among younger generations of Poles.


2011 ◽  
Vol 55 (4) ◽  
pp. 225-245
Author(s):  
Joanna B. Michlic

The paper considers the memories of Polish-Jewish relations during the Holocaust in Poland in the aftermath of the intense public debate about the Jedwabne massacre of July 10, 1941, since 2002 till the present. Jan Tomasz Gross’s slim monograph Neighbors, published in May 2000, triggered a debate that generated a process of self-critical assessments of the Polish national past in relation to Jewish and other ethnic minorities, the so-called cultural renewal of public memory. Ten years later there is still a sharp split between groups of Polish politicians, public intellectuals, journalists, historians and members of society at large in how they evaluate the dark aspects of the Polish-Jewish relations during and after WWII. The paper examines the main modes of remembering Jews and the Holocaust: “remembering to remember”, “remembering to benefit”, and “remembering to forget”, and the different manifestations of these three modes, and discusses what has made it difficult for Poles to integrate the dark past into popular historical consciousness and public memory.


2014 ◽  
Vol 22 (4) ◽  
pp. 613-622
Author(s):  
Dagmar Vandebosch

This article analyses the role of transnational memory in Antonio Muñoz Molina’s novel Sepharad (2001). Because of the way this novel incorporates the memory of European totalitarianism and the Holocaust, it has been considered an example of multidirectional memory. Making use of Rothberg’s ‘map’ of the discursive field of public memory, this analysis shows that the transnationalisation of memory in Sepharad is conditioned, and to a certain extent restrained, by two factors: in the first place, the strong relation with the Spanish context of enunciation and the local debates on memory; and second, the tension between a transnational, ‘multidirectional’ perspective on memory and the desire to narrate universal experiences of victimisation.


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