Constant consensus building: art and conflict in the ESMA museum and site of memory

This article describes the history, development and social role of the ESMA Museum and Site of Memory, which is located on the grounds of the former clandestine centre for detention, torture and extermination, in the intergenerational transmission of traumatic memories of the Argentinian dictatorship. The project is characterised by the cumulative effort of artistic expression, public debate, conflict and tension. Through the presentation of different artistic installations and plays, the article explains the focal function of art practices in spaces of memory that are strongly linked to a traumatic past, as well as how undertaking these practices can lead to the establishment of consensus.

Alternative news on social media in Norway

Alternative news media in Norway have become visible in public debates. Partly because of news sharing on social media. Social media has become an arena for news, information, and public debate, and has also become a place to fight for the news agenda. The present study examines news sharing in social media in Norway and how right-wing alternative news outlets use social media to impact the news agenda. These are small organizations with only a handful of employees, but they have very proactive readers and feature a considerable amount of user-generated content. They are critical of immigration, particularly from Muslim countries, and of the political elite. They mimic traditional media in the way they organize and label their content, but their reporting is more subjective. The present study uses quantitative content analysis to reveal which topics are the most shared on social media, and from which news type of news organizations they come. It also looks at how news sharing differed in the days following a series of terrorist attacks and how the pattern changed during the course of a normal day. This leads to a discussion on participatory journalism and how news sharing can be seen as a part of the public debate.

Court Cases, Gay Rights, and Legislative Response

Few issues in American politics, sexual or otherwise, inspire as much passion as the struggle over civil rights for members of the LGBTQ community. The passion associated with this issue stems from a clash of values and social movements. The undeniable passion that suffuses the issue is apparent to anyone who has witnessed a public debate or read a court transcript on the subject. This chapter will focus on court cases that have played a role in creating rights for members of the LGBTQ community and subsequent legislative actions.

The Dynamics of Polarisation in Australian Social Media

This chapter provides a case study of a public debate attracting highly polarised and antagonistic participants within the Australian context and examines the dynamics of polarisation, information flows, discourses, and materialities shaping these dynamics. Twitter conversations about immigration policies of the Australian government and detention of asylum seekers in offshore camps attract a great deal of polarised debate. The authors show how the affordances of the platform constitute, and are constituted by, the discourses of the users, and how users strategically discursify and give meaning to these affordances to further make their own political positions visible, amplify antagonisms, and at times, join each other in the formation of larger agonistic communities.

Why Write Stories about the Past?

The article focuses on three representative literary works for children between 9 and 12 by Christos Boulotis, a renowned contemporary Greek writer of children’s literature. His works which are exemplary of a broader tendency of contemporary Greek historical literature for children revolve around the concepts of the personal and public past and of personal and collective memory. We show that the specific works by Boulotis tend not only to make the concepts of the personal and public/historical past an issue but also to stress the importance of these concepts for the lives of contemporary people. At the same time, we show that because literature for children is inevitably ideological, the concepts of the personal and public historical past are used by Boulotis as a resource for the promotion of specific contemporary ideologies which are at the forefront of the public debate in contemporary Greek society, such as the universality of the experience of being a refugee, anti-racism, and pacifism.

Menakar Partisipasi Pemilih Pemula dalam Pemilihan Kepala Daerah di Masa Pandemi Covid-19

This article aims to measure the participation of novice voters in the regional head election during the Covid-19 pandemic in the election of mayor and deputy mayor in Bandar Lampung in 2020. The problem is focused on beginner voters who have a strategic position in the 2020 Bandar Lampung Election. beginners in the 2019 election is 20% of the total voter turnout as a whole. In order to approach this problem, Gabriel Almond's theoretical reference on forms of political participation is used. The data was collected through an online survey using google form and analyzed qualitatively. This study concludes that, first, 92% of respondents know that in December 2020 in Bandar Lampung there will be an election for Wakot and 79.5% of novice voters exercise their right to vote voluntarily. Second, 47.3% of novice voters have protested against policies made by the government and 70.5% of respondents did not participate in the public debate of the mayor and deputy mayor of Bandar Lampung in 2020. Third, novice voters in choosing a candidate for mayor and the deputy mayor is not influenced by money politics with a percentage of 96.4%. Fourth, 81.3% of novice voters answered that they were not influenced by their parents in using their right to vote and Awareness of novice voters using their right to vote as citizens was 97.3%.

Infomapa da mineração: Cartografias e convergências temáticas

O Infomapa da Mineração: Cartografias e convergências temáticas é um esforço de sistematização de temas relevantes que compõem a questão mineral brasileira. O objetivo deste material é popularizar alguns ele­mentos que constituem a geografia da mineração no país e ampliar o debate público a partir de uma linguagem acessível que possibilite uma visão de conjunto sobre as dinâmicas da atividade mineral no Brasil. O material está dividido em quatro seções. A primeira seção apresenta a evolução dos processos minerários em todo território nacional em quatro recortes temporais. A segunda seção mostra a distri­buição das barragens de mineração segundo o dano potencial associado. A terceira seção traz a distribui­ção das minas ativas a céu aberto e as localidades com garimpo ilegal. E a quarta seção representa a densidade de conflitos no campo envolvendo a mineração. Palavras-chave: Mineração; cartografia; Brasil; conflitos. Abstract The Mining Infomap: cartographies and thematic convergences is an effort to systematize relevant subjects that make up the Brazilian mineral issue. The aim of this material is to popularize some elements that constitute the geography of mining in the country, and to broaden the public debate based on an accessible language that allows an overall view of the dynamics of mineral activity in Brazil. The material is divided into four sections. The first section presents the evolution of mining processes throughout the country in four time periods. The second section shows the distribution of mining dams according to their associated potential damage. The third section shows the distribution of active open-pit mines and the locations of illegal mining. And the fourth section represents the density of conflicts in the countryside involving mining. Keywords: Mining; cartography; Brazil; conflicts. Infomapa de la minería: Cartografías y convergencias temáticas Resumen El Infomapa de la Minería: cartografías y convergencias temáticas es un esfuerzo por sistematizar temas relevantes que componen el tema mineral brasileño. El objetivo de este material es popularizar algunos elementos que constituyen la geografía de la minería en el país y ampliar el debate público a partir de un lenguaje accesible que permita una visión global de la dinámica de la actividad minera en Brasil. El material se divide en cuatro secciones. La primera sección presenta la evolución de los procesos mineros en todo el territorio nacional en cuatro períodos de tiempo. La segunda sección muestra la distribución de las presas mineras según el daño potencial asociado. La tercera sección presenta la distribución de minas a cielo abierto activas y los lugares con minería ilegal. Y la cuarta sección representa la densidad de los conflictos rurales relacionados con la minería. Palabras clave: Minería; cartografía; Brasil; conflictos.

Hans Sedlmayr (1896–1984): Structural Approach and Pre-Modern Values

The prevailing part of art historians, critics and theoreticians from the mid-1950s even until today feels related to the means of expression of the modernist art trends from the last decade of 19th c. until the end of 1960-s. Modernism has become a sacred text, whose complexity should be interpreted, but not criticized. Sedlmayr’s conception of art is built on moral, religious, aesthetic and political grounds, which are the very reason for the actuality of his works – both in the specialized sphere of art history and in the wider public debate on values. That is why I will analyse his structural approach mainly in relation to his anti-modern conception of art. This is the task of this study. Sedlmayr’s effort to turn art history into a “strict science” is an independent part of his scientific pursuit; it is in relation, but is not subordinate to his conception of modern art. Those publications of his are discussed but only in the specialized literature on history of the methods in humanities, while his conception against modern art acquires an exceptional popularity. Because of that reason his theoretic contribution to the study of art remains in a penumbra. I argue that Sedlmayr’s conception has the following coinciding points with the official understanding of art in the time of socialism: – A denial to estimate art with aesthetic criteria, which the ideologists of socialist realism define as formalism, and Sedlmayr as aesthetism; – In socialism art should represent a positive ideal; Sedlmayr calls this ideal “human measure”; – Art should habituate to morals; – A conviction that the modern art from the end of 19th c. on is decadent; – A criticism against the “dehumanization” of art.