scholarly journals Acceptance of Matsumoto Seicho’s Mystery Fiction in Korea—Focusing on Translation and TV Drama Adaptations—

사이間SAI ◽  
2019 ◽  
Vol null (27) ◽  
pp. 449-479
Author(s):  
안혜연
Keyword(s):  
Mystery Fiction

scholarly journals Men in Black: Jesuits in Mystery Fiction

2021 ◽  
Vol 8 (2) ◽  
pp. 293-298
Author(s):  
Judith Rock
Keyword(s):  
Mystery Fiction

scholarly journals Amanda Cross and Androgyny

2016 ◽  
Vol 15 (1) ◽  
pp. 91-103
Author(s):  
Richard R. E. Kania
Keyword(s):  
United States ◽  
Gender Identity ◽  
Political Thought ◽  
The United States ◽  
Male And Female ◽  
Non Fiction ◽  
Female Roles ◽  
Mystery Fiction

Abstract Amanda Cross is the pen name Carolyn Heilbrun used for her mystery fiction. In two of her novels she employed the theme of androgyny. She also wrote the non-fiction, 1973 Toward a Recognition of Androgyny in which she promoted androgyny as aspect of her approach to feminism, an intellectual denial of any significant differences between the sexes. While that thread of American feminism has lost favor in current feminist ideologies, matters of gender identity are rising in prominence in American social and political thought, reviving the debate on male and female roles and identities in the United States.

By a woman's hand: a guide to mystery fiction by women

1994 ◽  
Vol 32 (04) ◽  
pp. 32-1893-32-1893
Keyword(s):  
Mystery Fiction

scholarly journals Mystery fiction in culture: evolution of genre and crisis of cultural paradigm of modernity

2020 ◽  
pp. 21-34
Author(s):  
Sergey Pigalev
Keyword(s):  
Complete System ◽  
The Other ◽  
Human Reason ◽  
Modern Culture ◽  
Cultural Paradigm ◽  
European Culture ◽  
The Subject ◽  
Four Levels ◽  
Rational Order ◽  
Mystery Fiction

The subject of this research is the phenomenon of mystery fiction and its evolution in the context of development of sociocultural project of modernity. The latter is viewed as a complex system, which fundamental principles permeate the entire fabrics of European culture, generating such phenomenon as a mystery fiction plot. The analysis of its varieties deepens the understanding of specificity of modernity and mature of crises that has captured it. Hermeneutic analysis allows going beyond the frames of the narrow-disciplinary analysis of the corresponding texts, allowing to determine the inevident layers within the phenomenon of narration of mystery fiction. The initial methodological point is presented by the concept of V. P. Rudnev, who identified interrelation between the mystery fiction storylines and dominant gnoseological paradigm. The author determines the four levels of narration of mystery fiction: ontological, gnoseological, anthropological, and ethical-normative. The classical (analytical) mystery fiction describes reality commensurable to human reason (ontological level), investigation appears as strict analysis (gnoseological level), detective resembles a “private thinker” who is distant from the society and the crime itself (anthropological level), and a crime is interpreted as a deviation that disturbs harmony of the rational order (ethical-normative level). In this sense, a classical mystery fiction is a reflection of metanarrative of modernity, aimed at building a complete system, and excluding the Other. At the same time, the crisis of the basis of modernity is essentially reflected in metamorphoses of mystery fiction genre. In existential and pragmatic mystery fiction, reality is irrational, and boundaries between the norm and deviation are being diluted. Such situation may be describes as disappointment in metanarrative – in underlines the inability of modern culture to adequately fulfill its fundamental functions. The Other strike roots in the cultural space; however, the space itself exists in accordance with the principles of postmodern anarchy.

scholarly journals Cozies, Capers, and Other Criminal Endeavors: Utilizing Taxonomies of Mystery Fiction to Improve Genre Access

2020 ◽  
Vol 64 (4) ◽  
pp. 152
Author(s):  
Catherine Oliver
Keyword(s):  
Instructional Support ◽  
Assistant Professor ◽  
Mystery Fiction ◽  
Northern Michigan

Catherine Oliver ([email protected]) is Metadata & Cataloging Services Librarian and Assistant Professor, Library and Instructional Support, Northern Michigan University.

Murder Most Fair: The Appeal of Mystery Fiction

2002 ◽  
Vol 97 (4) ◽  
pp. 928
Author(s):  
Susan Rowland ◽  
Michael Cohen
Keyword(s):  
Mystery Fiction
Sign in / Sign up

Export Citation Format

Share Document