Florentine sculptor Luca della Robbia (b. 1399/1400–d. 1482) is best remembered as the inventor of a popular new form of glazed terracotta sculpture and as founder of the flourishing family workshop that produced it for roughly a century. He has long ranked among the greatest artists of the early Florentine Renaissance: tellingly, Leon Battista Alberti celebrated him as one of five exceptional modern artists in the dedication to his 1436 treatise On painting (Della pittura), alongside Filippo Brunelleschi, Donatello, Lorenzo Ghiberti, and Masaccio. Luca was a consummate craftsman, praised by writers during and after his lifetime for his activity in marble, bronze, terracotta, and even goldsmithery. Modern scholarship on the artist is substantial and has consistently sounded two notes, celebrating his exemplary classicizing style and recognizing that the story of his artistic success is also, simultaneously, that of a new sculptural medium. While the exact details of its initial development (accomplished by the year 1441) remain unknown, Luca’s glazed terracotta art soon attracted eminent patrons, such as Piero de’ Medici, and was praised by contemporaries as an invention. In the tradition of artistic family dynasties, Luca passed the secrets of his new art to his nephew, Andrea della Robbia (b. 1435–d. 1525), who succeeded him as head of the workshop. Andrea conducted a brisk business in glazed sculpture and taught the family craft to five of his sons: Marco (Fra Mattia, b. 1468–d. 1534), Giovanni (b. 1469–d. 1529/1530), Luca “il giovane” (b. 1475–d. 1548), Francesco (Fra Ambrogio, b. 1477–d. 1527/1528), and Girolamo (b. 1488–d. 1566). Andrea and Giovanni are the best-studied among these artists, while the others long suffered from general neglect owing to their geographically disperse activity and a perception that production quality fell with the later generations. Similarly under-studied are two final artists who made glazed sculptures: the Florentine Benedetto Buglioni (b. 1459/1460–d. 1521), who likely trained under Andrea and opened his own shop around 1480, and his adopted ward, Santi Buglioni (b. 1494–d. 1576). Recent scholarship has illuminated the ongoing efforts of the later artists in both families to integrate workshop traditions forged under Luca with new contexts and artistic innovations, all while serving patrons ranging from Franciscan friars to King François I of France.
Los trabajos de restauración en la cúpula de Santa María del Fiore. FLORENCIA
