"High Octane Kung Fu Action": Examining Racialization in The 2nd Toronto Reel Asian International Film Festival and Fantasia '98: Toronto Festival

2000 ◽  
Vol 35 (3) ◽  
pp. 138-149
Author(s):  
Michael Ma
Keyword(s):  
Film Festival ◽  
Kung Fu ◽  
High Octane

Study of the technology of high-octane gasoline components with improved environmental properties

2020 ◽  
Vol 01 ◽  
pp. 39-41
Author(s):  
K.G. Abdulminev ◽  
◽  
A.I. Kolyshkina ◽  
V.R. Tukaev ◽  
O.A. Vorobyova ◽  
...  
Keyword(s):  
Environmental Properties ◽  
High Octane

Toronto International Film Festival: 10–19 September 1998

1998 ◽  
Vol 2 (1) ◽  
Author(s):  
Marty Fairbairn
Keyword(s):  
Film Festival

Film Festival at Cannes

1952 ◽  
Vol 7 (1) ◽  
pp. 32-47
Author(s):  
Curtis Harrington
Keyword(s):  
Film Festival

The Seventh International Edinburgh Film Festival

1954 ◽  
Vol 8 (3) ◽  
pp. 236-242
Author(s):  
May Gordon Williamson
Keyword(s):  
Film Festival

Discovering Form, Inferring Meaning: New Cinemas and the Film Festival Circuit

1994 ◽  
Vol 47 (3) ◽  
pp. 16-30 ◽  
Author(s):  
Bill Nichols
Keyword(s):  
Film Festival

Google Hangout with Annie Baker, Playwright 1/25/16, 2:33 PM

2016 ◽  
Vol 69 (4) ◽  
pp. 57-64
Author(s):  
Genevieve Yue
Keyword(s):  
New York ◽  
New England ◽  
Selection Process ◽  
Pulitzer Prize ◽  
Film Festival ◽  
The Past

Genevieve Yue interviews playwright Annie Baker, whose Pulitzer Prize–winning play The Flick focuses on the young employees of a single-screen New England movie house. Baker is one of the most critically lauded playwrights to emerge on the New York theater scene in the past ten years, in part due to her uncompromising commitment to experimentation and disruption. Baker intrinsically understands that arriving at something meaningful means taking a new way. Accordingly, Baker did not want to conduct a traditional interview for Film Quarterly. After running into each other at a New York Film Festival screening of Chantal Akerman's No Home Movie (2015)—both overwhelmed by the film—Yue and Baker agreed to begin their conversation by choosing a film neither of them had seen before and watching it together. The selection process itself led to a long discussion, which led to another, and then finally, to the Gmail hangout that forms the basis of the interview.

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