scholarly journals Wspominane, wyobrażone, przesunięte. Rosja i Francja w emigracyjnej korespondencji Zinaidy Gippius

2021 ◽  
Vol 1 (XXIII) ◽  
pp. 171-182
Author(s):  
Iwona Krycka-Michnowska
Keyword(s):  

The topic of this article are the letters of Zinaida Gippius from 1920-1945, which permit one to read the images of Russia and France contained therein as the result of the emigration experience. The analysis of correspondence leads to the conclusion that emigration shapes the identity of the writer, who over the years begins to perceive France as her new home and new homeland. However, in creating her autobiographical place, Gippius does not limit herself to one model. In her correspondence permanently there is a  tension between Russian and French fate. Next to the aforementioned and Bolshevik Russia there is the picture of a new, imaginary Russia: free, just, based on the principles of brotherhood.

2017 ◽  
Vol 1 (XXII) ◽  
pp. 153-166
Author(s):  
Kinga Perużyńska

The aim of the article is to present The Warsaw Diary by Zinaida Gippius, published in 1969 and translated into Polish by Henryk Chłystowski (2010). Based on the analysis of Russian and Polish versions of the book, it can be concluded that Chłystowski retains in his translation four dimensions of the diary as a historical document: facts, opinions, author’s personal feelings and her subjective mentality.


1981 ◽  
Vol 40 (2) ◽  
pp. 224
Author(s):  
Olga Matich ◽  
Vladimir Zlobin ◽  
Simon Karlinsky
Keyword(s):  

1999 ◽  
Vol 43 (4) ◽  
pp. 621 ◽  
Author(s):  
Jenifer Presto
Keyword(s):  

1965 ◽  
Vol 9 (2) ◽  
pp. 141 ◽  
Author(s):  
Temira Pachmuss
Keyword(s):  

2017 ◽  
Vol 10 (0) ◽  
pp. 112-126
Author(s):  
Iwona Krycka-Michnowska

The paper is devoted to Zinaida Gippius’s literary portraits left on the pages of ego-documents, especially memoirs. She was one of the most significant figures of the Russian Silver Age. At the end of the 19th and the beginning of the 20th centuries, the writer created her own legend and image based on internal conflict, which in turn influenced the diversity of her portraits in memoirs. Their analysis leads to the conclusion that these portraits fit into the stereotyped, ambivalent perception of a woman, and majority of the authors reveal the tendency to mythologize and dehumanize her heroine: on the one hand her divinization, and on the other – reification. It also proves that the memoirist had perpetuated and widened the legend about her.


1981 ◽  
Vol 55 (3) ◽  
pp. 493
Author(s):  
Olga Prjevalinskaya Ferrer ◽  
Vladimir Zlobin ◽  
Simon Karlinsky
Keyword(s):  

1974 ◽  
Vol 18 (1) ◽  
pp. 83
Author(s):  
Edward Napier ◽  
Olga Matich ◽  
Zinaida Gippius

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