scholarly journals Airports as Urban Narratives

Transfers ◽  
2012 ◽  
Vol 2 (1) ◽  
pp. 32-54 ◽  
Author(s):  
Nathalie Roseau

This article focuses on the process of the design of airports and how in particular the urban context has shaped their specific histories. Far from being merely pure technical or functional equipment, they have been mirrors for contemporary expectations, just as they informed the modern urban imaginary. According to this perspective, an urban history of airports can be traced from the first aerodromes dedicated to large urban publics to the development of spectacular airports driven by the massive recent routinization of air transport so intricately bound up with globalization. Based on research on specific cases of the design and building of New York and Paris airports, this article aims to resist the temptations to dehistoricize the airport topic, and to introduce a narrative mode of thinking about these specific and concrete spaces.

2016 ◽  
Vol 3 (2) ◽  
pp. 1
Author(s):  
Jose Duran Fernandez

The urban history of New York City, its birth and decline, is linked with one basic element: water.  Water was the reason for its foundation and it could be the cause of its disappearance… Water is fundamental to the urban life of this city; it is the element that has fed its growth during its four hundred year existence. Only for this reason does it deserve the upmost attention and an exhaustive study. Water as a limit, wall or barrier, or as an extreme place of opportunity, it is without a doubt a place where the urban future of New York City rests. Although it deals with an uncertain and dystopian future if the forecast of the increase in ocean levels (as a consequence of climate change) holds true. The article is an abridgment of nine short texts and an epilogue, together with their respective ten graphic documents that make up the body of this research. As a result, the reader faces a graphic essay formed by small chapters that will guide them through the romance between New York and water, from its origins to the present day.


2003 ◽  
Vol 82 (2) ◽  
pp. 300-301
Author(s):  
Elizabeth Gemmill
Keyword(s):  

2020 ◽  
Vol 73 (3) ◽  
pp. 66-78
Author(s):  
Vince Schleitwiler ◽  
Abby Sun ◽  
Rea Tajiri

This roundtable grew out of conversations between filmmaker Rea Tajiri, programmer Abby Sun, and scholar Vince Schleitwiler about a misunderstood chapter in the history of Asian American film and media: New York City in the eighties, a vibrant capital of Asian American filmmaking with a distinctively experimental edge. To tell this story, Rea Tajiri contacted her artist contemporaries Shu Lea Cheang and Roddy Bogawa as well as writer and critic Daryl Chin. Daryl had been a fixture in New York City art circles since the sixties, his presence central to Asian American film from the beginning. The scope of this discussion extends loosely from the mid-seventies through the late nineties, with Tajiri, Abby Sun, and Vince Schleitwiler initiating topics, compiling responses, and finalizing its form as a collage-style conversation.


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