scholarly journals Raport „Alego” z akcji na Kutscherę, czyli czego nie powiedział dowódca batalionu „Parasol”

2019 ◽  
Vol 20 (2) ◽  
pp. 55-85
Author(s):  
Waldemar Stopczyński
Keyword(s):  

The elimination of Franz Kutschera by the soldiers of the 1st platoon of the „Pegasus” company (later the „Parasol” battalion) is one of the most famous military actions of the Polish underground. Until the 1990s, the post-war narrative about the events of February 1, 1944 was based on the accounts of those participants of the operation who survived the war and on a brief report sent by the commander of „Pegasus” to Colonel „Nil”, and it was consolidated by P. Stachiewicz’s book „Parasol”. The documents published in 1993 and 2016 – the report of the deputy commander of the „Kutschera” operation and the cover letter of the commander of „Pegasus” attached to it – questioned this narrative. The article traced the development of the story about the operation against the „executioner of Warsaw”, indicating that the commander accepted this version which contained the most discrep

2020 ◽  
Vol 7 (2) ◽  
pp. 200-214
Author(s):  
Hugh Davis

In Fires on the Plain (1952) novelist Shohei Ooka critiques Japanese imperialism by depicting the collapse of the Japanese army in the Philippines during the final months of World War II. Structured as a post-war memoir written by a soldier named Private Tamura as a patient in a Tokyo mental hospital, the novel explores Tamura’s psychological breakdown in response to having succumbed to cannibalism in order to survive. A complex treatment of memory, guilt, and individual agency in times of war, Fires on the Plain also underscores the ways in which the cannibalistic act may function metaphorically as a commentary on matters related to sex, religion, militarism, and cultural imperialism, as well as revealing anxieties associated with the creation of a post-war narrative of national victimhood in Japan. While Ooka presents Tamura’s eating of human flesh as the culmination of his long descent into madness, the act also serves as a metaphor through which he explores the self-destructive nature of Japanese imperialism, as well as his own responsibility for his unwilling participation in it. 


2009 ◽  
Author(s):  
Christopher Layne ◽  
Brian Allen ◽  
Krys Kaniasty ◽  
Laadan Gharagozloo ◽  
John-Paul Legerski ◽  
...  
Keyword(s):  

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