scholarly journals Content characterization of Latin American film productions on Netflix: a Bolivian perspective

2021 ◽  
Vol 2021 (0) ◽  
pp. 1-41
Author(s):  
Javier Alejandro Rodríguez-Camacho ◽  
◽  
Andrés Laguna-Tapia ◽  
Jens Bürger ◽  
Vania Landívar-Freire ◽  
...  

We study international film flows between Bolivia and Latin America to explore the lack of Bolivian content on Netflix and its limited presence in other SVOD platforms. We characterize Netflix originals, third-party content, and recent Bolivian films, and develop a thematic analysis of their synopsis and genre description, completed with the results of a survey on the Bolivian consumption of streaming content. We identify common patterns in Netflix content and show how it differs from the more nationally minded Bolivian cinematic tradition. Our results point to a homogenizing effect SVOD platforms like Netflix might have on film productions.

2021 ◽  
Vol 5 (2) ◽  
pp. 127-142
Author(s):  
Peter W. Schulze ◽  

This essay traces the tensions between national imaginaries and transnational global media flows of tango, samba, and ranchera film musicals, taking into account their cross-media and intercultural configurations as well as interconnections between these three “transgenres.” From a comparative perspective and by means of a “histoire croisée,” or crisscrossing history, it touches upon developments in early Latin American sound film, Hollywood’s Spanishlanguage films and its Pan-Americanism, Spain’s cinematic Hispanoamericanismo, and Pan-Latin American film productions. The essay makes a case for the multifaceted trans/national cultural economy of the tango, samba, and ranchera film musical productions during their main phase, in the 1930s and 40s.


2016 ◽  
Vol 69 (4) ◽  
pp. 107-112
Author(s):  
Gerd Gemünden ◽  
Silvia Spitta

Hispanófila ◽  
2016 ◽  
Vol 177 (1) ◽  
pp. 325-329
Author(s):  
Bridget Franco

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