Daphnis and Chloe: The Markets and Metamorphoses of an Unknown Bestseller, by Giles Barber
1977 ◽
Vol 5
(6)
◽
pp. 171-171
2020 ◽
Vol 21
(42)
◽
pp. 99-99
2013 ◽
Vol 20
(4)
◽
pp. 127-135
Modern Dance and the Seduction of Minoan CreteAcknowledgements: my thanks are first and foremost to the editors of this volume, for giving me the opportunity to explore the relationship between the Minoans and modern dance. I should also like to thank my husband (Roger Lonsdale), various friends, and colleagues, who provided me with interesting references and/or commented on early drafts of this chapter (although I am solely responsible for its content and mistakes): Ilaria Caloi, Cathy Gere, Yannis Hamilakis, David Konstan, Regina Llamas, Derek Offord, Liz Prettejohn and Charlotte Ribeyrol (whose stimulating contribution to this volume forms a kind of prelude to my own chapter). Professor Boris Stavroski kindly showed me Bakst’s design for Menelaus’ costume in Hélène de Sparte/ brigands in Daphnis and Chloe, which is currently in his possession.
