Le suggestioni del Purgatorio ne Il deserto dei Tartari: Buzzati e il modello dantesco tra poetica, immaginario e missione morale

2021 ◽  
Vol 41 (2) ◽  
pp. 175-193
Author(s):  
Vincenzo Lisciani
Keyword(s):  

Dino Buzzati offre ne Il deserto dei Tartari una rielaborazione audace del Purgatorio dantesco per atmosfera e stile. L’aspetto temporale del romanzo è ricalcato esattamente sulla prospettiva dantesca, in cui linearità e circolarità poggiano sull’ambientazione desertica. Tempo e spazio si dilatano o restringono a seconda della prospettiva interiore del personaggio, in una perfetta unione di circolarità e linearità; ugualmente, anche lo spazio sembra oscillare tra Fortezza e deserto per poi subire improvvise verticalizzazioni. Il modello dantesco, come “scrittura verticale” e come “retorica della salvezza,” emerge dunque nei nodi più cruciali dell’immaginazione buzzatiana, mettendo in luce una consonanza profonda e radicata.

2021 ◽  
Author(s):  
◽  
Niall Harland Duncan

<p>Methodologies within Modern Translation Studies are often broadly defined by two seemingly polarised ideologies: foreignisation and domestication. Current theory tends to favour foreignising translations which has led to a marginalisation of domestication as a viable and valid approach. This thesis is an examination of domestication as a still-legitimate approach in the field of translation. The project consists of original translations of four short stories by noted Italian author Dino Buzzati, which together with commentaries provide a practical platform on which to analyse the characteristics and advantages of the approach. Additionally, building on these examples is a more general discussion of these two approaches, an examination of their respective strengths and weaknesses and an evaluation of domestication as a methodology that can still offer advantages in effective translation.</p>


1995 ◽  
Vol 77 (812) ◽  
pp. 145-153
Author(s):  
Yves Sandoz
Keyword(s):  

La XXVIe Conférence internationale de la Croix-Rouge et du Croissant-Rouge, attendue depuis si longtemps, a pris une dimension presque mythique au sein de notre Mouvement. On en parle un peu comme le soldat cantonné dans un fort attendant les Tartares dans un fameux livre de Dino Buzzati (Le désert des Tartares): avec un mélange d'espoir et d'appréhension.


Books Abroad ◽  
1975 ◽  
Vol 49 (2) ◽  
pp. 303
Author(s):  
Gian-Paolo Biasin ◽  
Antonia Veronese Arslan
Keyword(s):  

Italica ◽  
1978 ◽  
Vol 55 (1) ◽  
pp. 3 ◽  
Author(s):  
Kenneth Atchity
Keyword(s):  

2005 ◽  
Vol 39 (1) ◽  
pp. 83-99
Author(s):  
Luciano Parisi

Imagination allowed Dino Buzzati to play with the readers' expectations, and to escape from stereotypes and conventions. It also allowed him to pay attention to the secret messages that nature seemed to send, and gave him a chance to interpret them. Imagination, finally, made it possible for Buzzati to create fictional worlds, more serene and just than the one in which he lived. In all these cases, imagination played a constructive part in Buzzati's work. There were, however, cases in which it led the writer to take the negative aspects of the world for granted, and provoked an excess of unjustified pessimism. Like everything else in his fiction, therefore, imagination had in Buzzati an ambiguous nature.


1982 ◽  
Vol 56 (3) ◽  
pp. 500
Author(s):  
R. d. P. Jordan ◽  
Mario B. Mignone
Keyword(s):  

Italica ◽  
1956 ◽  
Vol 33 (2) ◽  
pp. 93
Author(s):  
Luigi C. Borelli
Keyword(s):  

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