Introduction

Author(s):  
Sophie Chiari

Torn as they were between trying to control their own destinies and letting God shape their actions, the Elizabethan and Jacobean subjects still looked for answers in the skies while they were also anxious to fashion their own lives in more coherent or rational ways than before. This Introduction gives clear definitions of the concepts used in the book (‘climate’, ‘weather’, ‘environment’) and presents the various approaches to weather and climate that prevailed at the turn of the seventeenth century. It also explains how early modern writers capitalised on both traditional and innovative views of the sky and emphasises both the influence of classical thought and the harsh realities of what is now known as the ‘Little Ice Age’. It finally introduces weather issues in connection with early modern drama and shows that the Shakespearean skies, in particular, are much more than a mere reservoir of metaphors.

Author(s):  
David Hershinow

Chapter 2 offers a new account of literary realism and its origins in early modern drama in order to explain why a crisis of character—both literary and ethical—begins to cohere around the figure of the Cynic truth-teller only in the sixteenth century. It argues that the proliferation of non-allegorical characters in early modern drama is the result of a new development in the protocols of literary didacticism, one in which literature can increasingly instruct audiences in the ethics of self-care by offering up to judgment the actions and outcomes of characters fashioned to be verisimilar to people. Moving into the seventeenth century and beyond, literary realism becomes fictionality’s dominant representational mode precisely because it serves as a virtual arena in which to exercise one’s practical wisdom (phronesis) about the ethical means and political ends of action.


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