scholarly journals Transgenerational Transmission of Trauma across Three Generations of Alevi Kurds

Author(s):  
Jan Ilhan Kizilhan ◽  
Michael Noll-Hussong ◽  
Thomas Wenzel

Background: Thus far, most researchers on genocide and transgenerational transmissions have focused on the National Socialist Holocaust as the most abhorrent example of this severe human rights violation. Few data have been published on other ethnic or religious groups affected by genocidal actions in this context. Methodology: Using a mixed-method approach integrating qualitative interviews with standardized instruments (SCID and PDS), this study examines how individual and collective trauma have been handed down across three generations in an Alevi Kurd community whose members (have) suffered genocidal perpetrations over a longer time period (a “genocidal environment”). Qualitative, open-ended interviews with members of three generations answering questions yielded information on (a) how their lives are shaped by the genocidal experiences from the previous generation and related victim experiences, (b) how the genocidal events were communicated in family narratives, and (c) coping strategies used. The first generation is the generation which directly suffered the genocidal actions. The second generation consists of children of those parents who survived the genocidal actions. Together with their family (children, partner, relatives), this generation suffered forced displacement. Members of the third generation were born in the diaspora where they also grew up. Results: Participants reported traumatic memories, presented in examples in this publication. The most severe traumatic memories included the Dersim massacre in 1937–1938 in Turkey, with 70,000–80,000 victims killed, and the enforced resettlement in western Turkey. A content analysis revealed that the transgenerational transmission of trauma continued across three generations. SCID and PDS data indicated high rates of distress in all generations. Conclusions: Genocidal environments such as that of the Kurdish Alevis lead to transgenerational transmission mediated by complex factors.

FORUM ◽  
2011 ◽  
pp. 85-100
Author(s):  
Kaoru Nishimura

I have never been in war. So, I hesitate to say anything about the injuries of war but the concept of Transgenerational Transmission of Trauma (TTT) helps me to think about the footprints of war surrounding me. I will focus on three types of TTT. First, transmission through unconscious processes in society as a whole; second, transmission through related media; and third, direct and indirect transmission within family. These overlap with one another and develop hand-in-hand.Nunca estuve en la guerra. Por ello me cuesta decir cualquier cosa sobre las heridas de guerra, pero el concepto de Transmisión Transgeneracional del Trauma (TTT) me ayuda a pensar sobre las huellas de la guerra que me rodean. Me centraré en tres tipos de TTT. Primero, la transmisión por procesos inconscientes en la sociedad global; segundo, la transmisión a través de medios relacionados; y tercero, la transmisión directa e indirecta dentro de la familia. Se solapan entre sí y se desarrollan mano-a-mano.


2015 ◽  
Vol 21 (1) ◽  
Author(s):  
Meera Atkinson

‘The poetics of trans-trauma’ is my abbreviation for writing that embodies the familial transgenerational transmission of trauma and its relationship to cultural and collective operations of trauma and affect. Drawing primarily on Pat Barker's Regeneration Trilogy, this essay explores the poetics of what I call ‘cyclical haunting’—a term that describes the way historic and social traumatic affect feeds into subjective and familial experience, and in turn plays out past these interpersonal realms to networks beyond: events, movements, collectives, institutions, milieus, trends, communities, politics, creeds, religions, genders, sub-cultures, nations and relations between humanity and the planet it inhabits. I argue that Barker's trilogy, though apparently conventional, if masterful, in form and language, is radical in its testimony to the complexity and of such cycles, and that as such it stands as a vital cultural analysis and political account.


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