Constant consensus building: art and conflict in the ESMA museum and site of memory

This article describes the history, development and social role of the ESMA Museum and Site of Memory, which is located on the grounds of the former clandestine centre for detention, torture and extermination, in the intergenerational transmission of traumatic memories of the Argentinian dictatorship. The project is characterised by the cumulative effort of artistic expression, public debate, conflict and tension. Through the presentation of different artistic installations and plays, the article explains the focal function of art practices in spaces of memory that are strongly linked to a traumatic past, as well as how undertaking these practices can lead to the establishment of consensus.

An Efficient System for Eye Movement Desensitization and Reprocessing (EMDR) Therapy: A Pilot Study

In this paper, we describe an actuator-based EMDR (eye movement desensitization and reprocessing) virtual assistant system that can be used for the treatment of participants with traumatic memories. EMDR is a psychological therapy designed to treat emotional distress caused by a traumatic event from the past, most frequently in post-traumatic stress disorder treatment. We implemented a system based on video, tactile, and audio actuators which includes an artificial intelligence chatbot, making the system capable of acting autonomously. We tested the system on a sample of 31 participants. Our results showed the efficiency of the EMDR virtual assistant system in reducing anxiety, distress, and negative cognitions and emotions associated with the traumatic memory. There are no such systems reported in the existing literature. Through the present research, we fill this gap by describing a system that can be used by patients with traumatic memories.

THE ENVIRONMENT AND COLONIALISM IN JAMAICA KINCAID’S LUCY AND MY GARDEN (BOOK)

This research paper sets out to show how Jamaica Kincaid, in her celebrated works, Lucy and My Garden (Book), intrinsically links the degradation of the environment to colonialism through memory even though most critics posit that men/women should preserve their environment. Purpose: To the protagonists, the environment brings back memory of subjugation and oppression that undermine man-nature relationship in Kincaid’s selected works. Methodology: Qualitative research was used to write this paper since it involves textual analysis. Information of this research paper was gathered from the primary sources (Lucy and My Garden (Book) and secondary sources. Post colonialism and ecocriticism were deemed suitable theories on which this research paper could be hitched, in order to show how the environment is related to colonialism. The paper stresses on Kincaid’s protagonists’ hostility to the environment. In fact, whenever they see elements of the environment, they reflect on colonial trauma. Findings: The traumatic feeling from the characters under study stifles their relationship with the environment despite the fact that environmentalists and ecofeminists advocate for a close relationship with nature and its preservation in order to combat the current environmental crisis. Unique Contribution to Theory, Policy and Practice: This research, just like most environmentalists and ecofeminists will make people to understand that the natural environment is very vital to man and its preservation is a main concern for human beings. It will as well deepen discussion in the field of postcolonialism and ecocriticism. Readers of this article will help sensitize leaders of the world to stop colonialism so that the environment can be saved because traumatic memories are detrimental to the preservation of nature.

Embracing Darkness and Silence: A Cognitive Reading of Trauma in A Small Silence, by Jumoke Verissimo

The purpose of the present article is to discuss how A Small Silence (2019), by the Nigerian author Jumoke Verissimo, conjures up a provocative approach to traumatic memories. The tropes of silence and darkness—closely bound to the Nigerian context where power outages are frequent—are sensuously explored in evocative prose. Darkness is offered as a refuge against the blinding effect of light, and silence is oftentimes preferred to healing through narrativisation. Desire and Prof, the two main fictional characters, devise a peculiar dialogue of half-uttered and unspoken words—and reminiscences—that are arguably in tune with cognitive literary approaches to individual trauma. In addition, in this article an Oriental aesthetics is deployed to delineate the novel’s use of shadows and isolation. In contrast to classical trauma fiction, A Small Silence presents a less experimental literary narrative of individual trauma. At the same time, the novel rejects simplistic binaries such as trauma-health, dark-light, forgetfulness-memory and mind-body. Rather, it lingers in a space between individual healing and Nigeria’s intricate neocolonial circumstances.

Transgenerational Transmission of Trauma across Three Generations of Alevi Kurds

Background: Thus far, most researchers on genocide and transgenerational transmissions have focused on the National Socialist Holocaust as the most abhorrent example of this severe human rights violation. Few data have been published on other ethnic or religious groups affected by genocidal actions in this context. Methodology: Using a mixed-method approach integrating qualitative interviews with standardized instruments (SCID and PDS), this study examines how individual and collective trauma have been handed down across three generations in an Alevi Kurd community whose members (have) suffered genocidal perpetrations over a longer time period (a “genocidal environment”). Qualitative, open-ended interviews with members of three generations answering questions yielded information on (a) how their lives are shaped by the genocidal experiences from the previous generation and related victim experiences, (b) how the genocidal events were communicated in family narratives, and (c) coping strategies used. The first generation is the generation which directly suffered the genocidal actions. The second generation consists of children of those parents who survived the genocidal actions. Together with their family (children, partner, relatives), this generation suffered forced displacement. Members of the third generation were born in the diaspora where they also grew up. Results: Participants reported traumatic memories, presented in examples in this publication. The most severe traumatic memories included the Dersim massacre in 1937–1938 in Turkey, with 70,000–80,000 victims killed, and the enforced resettlement in western Turkey. A content analysis revealed that the transgenerational transmission of trauma continued across three generations. SCID and PDS data indicated high rates of distress in all generations. Conclusions: Genocidal environments such as that of the Kurdish Alevis lead to transgenerational transmission mediated by complex factors.

A Spectrum of Selves Reinforced in Multilevel Coherence: A Contextual Behavioural Response to the Challenges of Psychedelic-Assisted Therapy Development

Psychedelic-assisted therapy research for depression and PTSD has been fast tracked in the United States with the Food and Drugs Administration (FDA) granting breakthrough designations for MDMA (post-traumatic stress disorder) and psilocybin (major depressive disorder). The psychotherapeutic treatments accompanying these psychedelics have not been well-studied and remain controversial. This article reviews the challenges unique to psychedelic-assisted therapy and introduces a newly optimised psychological flexibility model that adapts Contextual Behavioural Science (CBS)/Acceptance and Commitment Therapy (ACT) to those multiple challenges, including ego inflation, traumatic memories, and the perceived presence of entities. A methodology aligned with biological mechanisms, psychological processes and therapeutic contexts may be advantageous for improving outcomes. This model expands ACT by integrating practises and data from psychedelic-assisted therapy research into a Contextual Behavioural Science framework, allowing both fields to inform each other. Psychological flexibility processes are questioned and adapted to a psychedelic context, and interventions that operationalise these processes are considered. The principle through-line of the paper is to consider varied constructs of Self, as understood by these fields, and integrates respective elements of varied self-models, interventions and data into a Spectrum of Selves model for psychedelic-assisted therapy. Secondly the paper examines how to select and retain new self-perspectives and their corresponding behaviours systemically, drawing from evolutionary science principles. A case example of such behavioural reinforcement is provided, as well as a psychedelic integration checklist to guide the practical implementation of such an approach. This method can enable a coherent therapeutic framework with clear operational relationships between (1) problematic behaviour patterns that an individual wishes to address (2) the guided psychedelic experiences of that individual, and (3) the barriers to maintaining any changes, thus increasing theoretical-practical coherence, broadening treatment benefits and reducing relapse in psychedelic-assisted therapy. Research questions for further developing a CBS-consistent psychedelic-assisted therapy are offered.

Inducing Amnesia for Unwanted Memories through Subliminal Reactivation

Traumatic memories contribute to psychological conditions such as post-traumatic stress disorder and phobias. Treatment of these disorders may benefit from techniques that reduce the accessibility of unwanted memories and their impact on cognition and emotion. Procedures such as retrieval suppression, associative interference, and reconsolidation disruption, though effective in inducing forgetting, involve exposure to the traumatic event, which is aversive and carries risks to the patient. But is explicit awareness of traumatic content truly necessary for effective voluntary forgetting? Recently, intentionally suppressing (i.e., stopping) retrieval of a memory in response to a reminder has been shown to temporarily interrupt hippocampal function. Disrupting hippocampal function through retrieval suppression induces an amnesic shadow that impairs the encoding and stabilization of unrelated “innocent bystander” memories that are activated near in time to people’s effort to suppress retrieval. Building on this mechanism, we successfully disrupted retention of unpleasant memories by subliminally reactivating them within this amnesic shadow window (on 88 participants across two experiments). Following the characteristics of retrieval suppression, the amnesic shadow disrupted memory for the subliminally reactivated events and induced forgetting that generalized across retrieval cues. Critically, whereas unconscious forgetting occurred on these affective “innocent bystander” memories, the amnesic shadow itself was induced by conscious suppression of unrelated and benign neutral memories, avoiding direct conscious re-exposure of unwelcome content. Combining the amnesic shadow with subliminal reactivation may offer a new approach to forgetting trauma that bypasses the unpleasantness in conscious exposure to unwanted memories.

“Making Nonsense of the Little Categories”: Slaughterhouse-Five and The Memoirs of a Survivor as autobiographical science fiction

<p>Kurt Vonnegut’s Slaughterhouse-Five (1969) and Doris Lessing’s The Memoirs of a Survivor (1974) are both novels that blend autobiography with science fiction. In a review of Vonnegut’s Mother Night, Lessing writes that he “makes nonsense of the little categories”. The same applies to Lessing. These two novels live in the porous borders between genre—between fiction and non-fiction. Vonnegut writes that he can’t remember much of his experiences in the firebombing of Dresden in the Second World War. The war novel he writes about them has a protagonist who is “unstuck in time”. I frame my discussion of Slaughterhouse around problems of temporal and narrative ordering. Through use of fractured time, repetitions, and the chronotope, Vonnegut finds a way to express his missing and traumatic memories of the war. Lessing’s memories are of her early childhood in Persia and Southern Rhodesia. These memories are warped, claustrophobic, and difficult to articulate. Like Slaughterhouse, Memoirs fractures time and space. I organise my discussion of Lessing’s novel around the latter, focusing on a literalised porous border: her dissolving living room wall. Borders and portals between spaces in Memoirs blend the dystopian, science-fiction world of the city with the world of Lessing’s memories; dreams with reality; and the static with the dynamic. I pose several answers to the question of why science fiction and autobiography. A shared occupation of the two authors was a concern for the madness and dissolution of society, and science fiction engages in a tradition of expressing these concerns. Additionally, Vonnegut and Lessing use the tools of a genre in which it is acceptable for time and space to be warped or fractured. These tools not only allow for the expression of memories that are fragmented, difficult, and half forgotten, but produce worlds that mirror the form of these personal memories.</p>

“Making Nonsense of the Little Categories”: Slaughterhouse-Five and The Memoirs of a Survivor as autobiographical science fiction

<p>Kurt Vonnegut’s Slaughterhouse-Five (1969) and Doris Lessing’s The Memoirs of a Survivor (1974) are both novels that blend autobiography with science fiction. In a review of Vonnegut’s Mother Night, Lessing writes that he “makes nonsense of the little categories”. The same applies to Lessing. These two novels live in the porous borders between genre—between fiction and non-fiction. Vonnegut writes that he can’t remember much of his experiences in the firebombing of Dresden in the Second World War. The war novel he writes about them has a protagonist who is “unstuck in time”. I frame my discussion of Slaughterhouse around problems of temporal and narrative ordering. Through use of fractured time, repetitions, and the chronotope, Vonnegut finds a way to express his missing and traumatic memories of the war. Lessing’s memories are of her early childhood in Persia and Southern Rhodesia. These memories are warped, claustrophobic, and difficult to articulate. Like Slaughterhouse, Memoirs fractures time and space. I organise my discussion of Lessing’s novel around the latter, focusing on a literalised porous border: her dissolving living room wall. Borders and portals between spaces in Memoirs blend the dystopian, science-fiction world of the city with the world of Lessing’s memories; dreams with reality; and the static with the dynamic. I pose several answers to the question of why science fiction and autobiography. A shared occupation of the two authors was a concern for the madness and dissolution of society, and science fiction engages in a tradition of expressing these concerns. Additionally, Vonnegut and Lessing use the tools of a genre in which it is acceptable for time and space to be warped or fractured. These tools not only allow for the expression of memories that are fragmented, difficult, and half forgotten, but produce worlds that mirror the form of these personal memories.</p>