Sociologie religieuse et liturgie sociale dans l'oeuvre de Charles Fourier

1972 ◽  
Vol 33 (1) ◽  
pp. 3-32 ◽  
Author(s):  
Henri Desroche
Keyword(s):  

1965 ◽  
Vol 20 (1) ◽  
pp. 31-43 ◽  
Author(s):  
Nicholas V. Riasanovsky
Keyword(s):  


1985 ◽  
Vol 20 (1) ◽  
pp. 125-133 ◽  
Author(s):  
Jonathan Beecher
Keyword(s):  




2013 ◽  
Vol N° 30 (3) ◽  
pp. 4-4
Author(s):  
Xavier de la Vega
Keyword(s):  


2018 ◽  
pp. 17-36
Author(s):  
Michael Robertson

This chapter examines the proliferation of utopian literature in the United States and Great Britain during the late nineteenth century, mainly due to the economic and social upheavals resulting from industrial capitalism. In particular, it shows how writers such as Edward Bellamy and Thomas More came up with their visions of peaceful and egalitarian future worlds in response to the turbulence of their era. The chapter first provides an overview of the Great Depression experienced by both the United States and Great Britain between 1873 and 1896, a period characterized by extreme poverty and unemployment, before discussing the history of More's Utopia (1516). It then considers how utopian socialists in Europe and the United States, including Henri de Saint-Simon, Robert Owen, and Charles Fourier, devised schemes for the total reconstruction of society. It also analyzes Henry George's utopian vision, which he articulated in his 1879 book Progress and Poverty.



2005 ◽  
Vol n° 125 (5) ◽  
pp. 85
Author(s):  
Julien Damon
Keyword(s):  


2006 ◽  
Vol 15 (2) ◽  
pp. 69 ◽  
Author(s):  
Pierre Mercklé
Keyword(s):  


Author(s):  
Eric Hood

This chapter traces the affective forces at work in Elizabeth Barrett Browning’s representation of utopian socialist Charles Fourier in Aurora Leigh (1855).  In Barrett Browning’s verse-novel, “Fourier” operates as a sign mediated by networks of affect, referring not only to the political struggles surrounding socialism in the 1850s but also to Barrett Browning’s personal psychoanalytic conflicts against both her father and her own queer desires (particularly, for George Sand).  Thus, “Fourier” functions as a nodal point in Aurora Leigh where a political crisis and the author’s individual psychological needs meet to produce a dismissal of the economic and social alternatives that were available at that historical moment and the forms of queer identity that challenged the heteronormative, liberal order.



Sign in / Sign up

Export Citation Format

Share Document