Émaux cloisonnés parisiens du Metropolitan Museum

1933 ◽  
Vol 92 (2) ◽  
pp. 227-229
Author(s):  
Marvin Chauncey Ross
Keyword(s):  
2021 ◽  
Vol 14 (3) ◽  
pp. 1-17
Author(s):  
Elena Villaespesa ◽  
Seth Crider

Computer vision algorithms are increasingly being applied to museum collections to identify patterns, colors, and subjects by generating tags for each object image. There are multiple off-the-shelf systems that offer an accessible and rapid way to undertake this process. Based on the highlights of the Metropolitan Museum of Art's collection, this article examines the similarities and differences between the tags generated by three well-known computer vision systems (Google Cloud Vision, Amazon Rekognition, and IBM Watson). The results provide insights into the characteristics of these taxonomies in terms of the volume of tags generated for each object, their diversity, typology, and accuracy. In consequence, this article discusses the need for museums to define their own subject tagging strategy and selection criteria of computer vision tools based on their type of collection and tags needed to complement their metadata.


2019 ◽  
Vol 19 (1) ◽  
pp. 182-194
Author(s):  
Hyun-Sook So

Abstract In 2012, large amounts of white marble Buddhist statues of the Eastern Wei and Northern Qi Dynasties were unearthed from the Buddhist sculpture hoard at Bei Wuzhuang in Ye City Site. This paper makes a comparative study on a bodhisattva statue in meditation seated in half-lotus posture (resting right ankle on the knee of pendent left leg and holding right hand upward) among them and another sculpture of the same type and made in the same period unearthed at the Xiude Monastery site in Dingzhou; from the double-tree, stupa and coiling dragon designs shown by them, this paper explores the commonalities and differences of the Buddhist arts in these two areas. Moreover, this paper reveals that this motif emerged earlier in the Ye City area than in the Dingzhou area, and diffused to the latter after it became popular in the Ye City area. By these conclusions, this paper infers that the white marble meditating statue seated in half-lotus position with the date of the second year of Wuding Era (544 CE) in the collection of the Metropolitan Museum of Art in New York, USA was produced in Ye City area.


1997 ◽  
Vol 25 (1) ◽  
pp. 76
Author(s):  
Paul Broekhoff ◽  
Michiel Franken ◽  
Hubert von Sonnenburg ◽  
Walter Liedtke ◽  
Carolyn Logan ◽  
...  

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