This chapter examines Hollywood’s great rival, television, in a study of how television adapted the Broadway musical. Rather than looking at conventional stage-to-small-screen adaptations, however, the chapter focuses on how Carol Burnett’s TV show provided adaptations of another kind, that is, parodies of famous musicals. For example, the chapter explains how ‘Hold Me, Hamlet’ can be read as a parody/adaptation of Cole Porter’s Kiss Me, Kate, even retaining the doubling of the onstage/backstage musical format of the latter. Meanwhile, The Wiz is the clearest referent for ‘Cinderella Gets it On.’ These Burnett shows approach poesis because they take the form of the musical, and they often do comment upon it, but they are also genuine expressions of the form and the creators’ deep love and understanding of it.
Moroccan Arabic and Jewish‑Arabic in Hebrew as Spoken by Israelis of Moroccan Origin: The Case of the TV Show Zaguri Imperya
