scholarly journals A incomum associação de peixes e caranguejos da Formação Romualdo, Aptiano-Albiano da Bacia sedimentar do Araripe, NE do Brasil

2021 ◽  
Vol 24 (2) ◽  
pp. 149-162
Author(s):  
Ludmila Alves Cadeira do Prado ◽  
Gabriel Levi Barbosa Lopes ◽  
Priscilla Albuquerque Pereira ◽  
Rilda Verônica Cardoso de Araripe ◽  
David Holanda de Oliveira ◽  
...  

The unusual association of fish and crabs from Romualdo Formation, Aptian–Albian of the Araripe sedimentary Basin, NE Brazil. In a study and collection of fossils from the Romualdo Formation in “Araripe pernambucano”, an association of Vinctifer comptoni and Rhacolepis buccalis with eubrachyurans and orithopsids crabs was observed in four calcareous nodules. Associations were discussed based on ecological and taphonomic hypotheses. It is noted from the degree of articulation of the organisms, that either the death or the availability of crab moults in the sediment possibly occurred before the death of the fish. In addition, the fish do not have teething consistent with feeding on crabs. Thus, this association would occur due to fossilization processes and not due to ecological interactions. The study also emphasized systematic and paleogeographic aspects of the groups. Romualdocarcinus salesi is probably related to the “higher” true crabs (Eubrachyura), a hypothesis already raised in previous works, due to the preservation of its dorsal carapace next to a pleon of subquadrangular shape similar to those seen in this group. The occurrence of Exucarcinus gonzagai associated with fish, in concretions in the shales, can raise the question of E. gonzagai and Araripecarcinus ferreirai species as synonyms. The data obtained with the survey of the paleogeographic distribution of fish and crabs in geological formations of correlated age corroborates the hypothesis of the Tethyan marine influence in Araripe. Keywords: ichthyolites, decapods, paleoecology, taphonomy, Santana Group, Cretaceous.

2016 ◽  
Vol 33 (S 01) ◽  
Author(s):  
V. Comito ◽  
S. Boni ◽  
C. Rossi ◽  
L. Memo

2019 ◽  
Vol 34 (1-2) ◽  
pp. 81-93
Author(s):  
D. D. BHUTEKAR ◽  
◽  
S. B. AHER ◽  
M. G. BABARE ◽  
◽  
...  

2017 ◽  
Vol 26 (1) ◽  
pp. 53-68
Author(s):  
Mark Byron

Scholarly research over the last twenty years has marked a profound shift in the understanding of Beckett's sources, his methods of composition, and his attitudes towards citation and allusion in manuscript documents and published texts. Such landmark studies as James Knowlson's biography, Damned to Fame (1996), and John Pilling's edition of the Dream Notebook (1999), and the availability of primary documents such as Beckett's reading notes at Reading and Trinity libraries, opened the way for a generation of work rethinking Beckett's textual habitus. Given this profound reappraisal of Beckett's material processes of composition, this paper seeks to show that Beckett's late prose work, Worstward Ho, represents a profound mediation on writing, self-citation, and habits of allusion to the literary canon. In its epic gestures, it reorients the heavenly aspiration of Dante's Commedia earthwards, invoking instead the language of agriculture, geology and masonry in the process of creating and decreating its imaginative space. Beckett's earthy epic invokes and erodes the first principles of narrative by way of philology as well as by means of deft reference to literary texts and images preoccupied with land, farming, and geological formations. This process is described in the word corrasion, a geological term referring to the erosion of rock by various forms of water, ice, snow and moraine. Textual excursions into philology in Worstward Ho also unearth the strata comprising Beckett's corpus (in particular Imagination Dead Imagine, The Lost Ones, and Ill Seen Ill Said), as well as the rock or canon upon which his own literary production is built. A close reading of Worstward Ho turns up a number of shrewd allusions to the King James Bible and Thomas Browne, as one might expect, but also perhaps surprisingly sustained affinities with the literary sensibilities of Alexander Pope and the poetry of S. T. Coleridge. The more one digs, the more Beckett's ‘little epic’ seems to become one of earthworks, bits of pipe, and masonry, a site and record of literary sedimentation.


2013 ◽  
pp. 1-1
Author(s):  
Louise Overend ◽  
Niall Furlong ◽  
Steven McNulty

2018 ◽  
Author(s):  
Wajdi Safi ◽  
Faten Hadj Kacem ◽  
Mariem Moalla ◽  
Dorra Ghorbel ◽  
Fatma Mnif ◽  
...  

2019 ◽  
Author(s):  
Federica Anselmi ◽  
Sara Alfano ◽  
Nicola Improda ◽  
Mase Raffaella Di ◽  
Wudy Stefan Alexander ◽  
...  

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