Samuel Pepys and John Evelyn

Author(s):  
Catherine Sutherland
Keyword(s):  
Author(s):  
Margaret J. M. Ezell

An overview of events following the death of Oliver Cromwell and the return of Charles II and his court from the Continent. Although John Milton continued to write urging the preservation of the Commonwealth, public opinion, as seen in the diaries of John Evelyn and Samuel Pepys, led the army to invite the return of the royal family. The literary response to Cromwell’s death which depicted him as a heroic general and leader of the Commonwealth soon changed to celebration of the royal family and the hypocrisy of Puritan rule. The theatres were reopened and two companies were granted patents; influenced by French theatres, companies now included professional women actors. The demand for new plays offered opportunities for writers. Fiction dealt with contemporary issues, using romance conventions to satirize.


2015 ◽  
Author(s):  
John Evelyn
Keyword(s):  

Author(s):  
Matthew Walker

The first chapter establishes who practised architecture in the period and on what grounds they were considered to be credible practitioners of architectural design. Initially I set out the nature of the various people who designed buildings in the period and focus on one particularly important group who I term autodidactic architects, on the grounds that their credibility as architects came from their own learning from various sources. I then explore two authors who wrote extensively on this figure: Roger North, who defined the autodidactic architect in moral terms, and John Evelyn, who provided a more pragmatic definition of what he called the Architectus Ingenio. Evelyn, in contrast to North, claimed that people who had previously been builders could be included in the category of intellectual architect. This discussion sets up the rest of the book, which explores the nature of the knowledge these figures were expected to handle.


Author(s):  
Joseph Hone

This chapter introduces and explores the full spectrum of positions on the succession across a range of texts responding to the deaths of William III and James II. It demonstrates the collapse of earlier norms of royal mourning by unearthing how royal elegy—a sacrosanct genre in the seventeenth century—became a vehicle for opposition satire. Anne Finch, Alexander Pope, Samuel Pepys, and William Pittis were all involved in writing or circulating Jacobite libels in manuscript. Examining the scribal circulation of satires sheds new light on their political allegiances and networks. The chapter ends with a sustained contextual examination of Daniel Defoe’s poem The Mock Mourners.


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