This paper surveys the most significant ways in which the American West has been viewed as a place and region. Starting with Thomas Jefferson’s Louisiana Purchase of 1803, we follow the expansion of the West as a region throughout American history. Jefferson worked out a plan which involved the creation of territories which later became states, following a certain procedure. Inside the larger West, there are many Wests: the prairie states of the Midwest (also called the “Bread Basket” of America), the Rocky Mountain states, the Pacific Northwest, the Southwest and California. We analyze the myths and images associated with the west in American culture, and the influence of Frederick Jackson Turner’s essay dedicated to “the Frontier”. We discuss the New Historicism approach and the way in which it criticizes Tuner. Then we discuss the reflection of the West in the visual arts (the major landscape painters and in the work of the western movie director John Ford). We bring arguments to support the idea that the West is a construct of human experience and a cultural concept, more than a “place”.
O espaço redundante: O papel da paisagem na narrativa cinematográfica de ‘As Vinhas da Ira’ (1940)