The Oedipal Conflict and the Isaac Solution

2018 ◽  
pp. 93-110
Author(s):  
Mordecha Rotenberg
Keyword(s):  
2002 ◽  
Vol 3 (3) ◽  
pp. 365-382 ◽  
Author(s):  
Gail Boldt

In this article, the author offers a reading of the psychoanalytic concept of the Oedipal conflict, taking into account a post-structural or cultural studies' theorizing of subjectivity and the constructed nature of childhood. It is taken for granted that what are typically seen as natural gendered behaviors or natural sexual preferences are instead performative expressions of dominant discourses. Working from this stance, it is proposed that it likewise makes sense to understand the psychoanalytic perspectives on a child's gender and sexual development as tremendously instructive descriptions of how adults work through dominant discourses about normal development to bring children into being as gendered and sexualized subjects. The author argues that a major facet of parenting for most contemporary, heterosexual Western parents involves the demand that our children experience the Oedipal conflict. Using stories of the author's own parenting, she describes some of the ways that she participated in provoking outcomes that at least consciously she thought she did not intend.


Literator ◽  
1993 ◽  
Vol 14 (3) ◽  
pp. 97-108
Author(s):  
M. De Vries

The structural functioning and purpose of the fantastic in Glubkes oordeel, especially in the ‘Last Judgement’ description, is scrutinized in this article. The protagonist, Glubke, find s himself in a psychological labyrinth as a result of an Oedipal conflict, and this gives rise to his flight of fantasy. The reader enters the realm of Glubke's mind by means of the fantastic and the fantastic enables the abstract author to give a dramatic artistic representation of Glubke’s chaotic spirit and his reclusion. The damnation scene is an externalization of the inner life of an arch-outsider and in this scene the fantastic becomes the dominant mode of discourse. Brakman’s comprehensive range of linguistic effects allows him to achieve the fantastic dimension to excellent effect.


1981 ◽  
Vol 45 (1) ◽  
pp. 52-58 ◽  
Author(s):  
William Arndt ◽  
Barbara Ladd

1986 ◽  
Vol 20 (1) ◽  
pp. 56-62
Author(s):  
Kenneth Bragan

The work and life of D. H. Lawrence is examined as an example of Kohut's notion of the anticipatory function of art and as providing a rich source of material for examination of the respective importance in personality development of Oedipal conflict and the pre-Oedipal establishment of a sense of self. The importance of self-psychology as an expansion of psychoanalysis is noted and some of the ways Lawrence anticipated this development are described. It is also suggested that Lawrence provides convincing confirmation of a self-psychology view of creative drive, and a thesis is briefly expounded that in his major novels he was pursuing his own self-healing.


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