Acknowledgement to reviewers

No abstract available.

Erratum: ’n Viering van Afrikaans en Jaap Steyn

No abstract available.

A brief study of the Autshumato Machine Translation Web Service for South African languages

The scarcity of adequate resources for South African languages poses a huge challenge for their functional development in specialised fields such as science and technology. The study examines the Autshumato Machine Translation (MT) Web Service, created by the Centre for Text Technology at the North-West University. This software supports both formal and informal translations as a machine-aided human translation tool. We investigate the system in terms of its advantages and limitations and suggest possible solutions for South African languages. The results show that the system is essential as it offers high-speed translation and operates as an open-source platform. It also provides multiple translations from sentences, documents and web pages. Some South African languages were included whilst others were excluded and we find this to be a limitation of the system. We also find that the system was trained with a limited amount of data, and this has an adverse effect on the quality of the output. The study suggests that adding specialised parallel corpora from various contemporary fields for all official languages and involving language experts in the pre-editing of training data can be a major step towards improving the quality of the system’s output. The study also outlines that developers should consider integrating the system with other natural language processing applications. Finally, the initiatives discussed in this study will help to improve this MT system to be a more effective translation tool for all the official languages of South Africa.

Voicing sentiments of resilience: A corpus approach to 1980s conscious rappers in South Africa

The study of people’s response to adversity acquires substantially different connotations in the South African context because of the heavy legacy of apartheid. This article explores the construction of the notion of resilience through the oral narrative production of the most prominent conscious rappers that emerged in the 1980s in South Africa, namely Prophets of Da City and Black Noise. By means of a corpus approach, our analysis with AntConc revealed that resilience is intrinsically connected to the historical sociopolitical struggle of the black group. In building this notion, results show how the parallel emergence of an oppressive other, the white group, plays a fundamental role. Relevant to our study, the affirmation of their black identity appears to act as an effective way of underpinning their possibility of resurgence. Furthermore, the objective analysis of rappers’ linguistic choices in their lyrics underlines their strategic use of personal pronouns, ethnic labels and other contextual-loaded terms whilst conveying their messages and communicating with their audience. These results both demonstrate the contribution of rap music in construction of a specific notion of resilience and highlight the effectiveness of this methodological approach, opening the floor to comparative studies.

Code switching in contemporary isiZulu performance poetry

Recent developments in isiZulu poetry have been marked by an emergence of performance poets whose poems have gained popularity with younger audiences. A constant feature in contemporary isiZulu poetry is a conscious deviation from adherence to rigid structural and formal linguistic requirements. Contemporary isiZulu poetry is also characterised by a shift from textual to performance-specific conventions that cater for radio, theatre, social-media platforms and so forth, and is more accommodative of linguistic dynamics that shape the current generation of artists and audiences. While contemporary isiZulu performance is a rather more recent innovation, it still owes its roots to oral poetry traditions and has evolved from literary art forms that were committed to memory and performed during family gatherings and communal events. This article explores code switching in contemporary isiZulu performance poetry and argues for appreciation of this phenomenon for its aesthetic appeal rather than as infringement on long-held attitudes about purity of artistic linguistic expressions. Hyme’s Ethno-poetic Theory will inform analysis of selected poems in this article. Ethno-poetic Theory focuses, amongst others, on how a performance displays literary qualities.

Les manifestes et les programmes littéraires en Afrique francophone subsaharienne : à propos de ‘l’invisibilité’ du corpus dans la critique littéraire

Manifestos and literary programs in French-Speaking sub-Saharian of Africa: About ‘invisibility’ of the corpus in literary criticism. Despite an abundant production, the corpus of literary manifestos and programmes from sub-Saharan Francophone Africa is relatively invisible in literary criticism. With the exception of a few studies, critical works devoted to the programmatic works of writers are rare. This article proposes some hypotheses that can explain why the body of literature of authors’ ideas in this space is generally ‘invisible’. The approach of the literary field, applied to the sociology of scientific production, makes it possible to highlight three main causes for this invisibility: the importance of identity and cultural discourse, which makes it impossible to delimit the geographical space of writers from sub-Saharan Francophone Africa, whose production and reception are dominated by that of their colleagues from the West Indies and the Caribbean; the omnipresence of political and social discourse which takes precedence over poetic reflection; the metalanguage of the manifesto due to the fact that writers are also generally literary critics.

Exposure to queer characters in Konigsberg’s Openly Straight through social messaging

Research conducted by The Other Foundation has indicated that South Africans view the lives of queer individuals as lifestyle choice (34%), illness (12%), sin (5.10%), results of these individuals’ upbringing (3.80%) and/or resulting from the influence of ancestral spirits (3.70%). Advocacy and information about sexual orientation and sexual diversity through literary as characters may be instrumental in possibly changing negative perceptions of queer individuals. This article aims to show how a selected young adult queer novel, and the social messaging that emerges from the text, may be a potentially influential location for creating an awareness and better understanding of queer individuals. The aim of the investigation on which the article is based was to examine the possibility or viability of implementing critical literacy in secondary education systems in the language classroom as an opportunity to address social issues in heteronormative environments. The social messages found in queer texts may be used as entry points to fruitful discourse in language classroom environments. The study followed a qualitative approach with the use of critical hermeneutics as a strategy of inquiry and social constructivism as philosophical worldview. The queer text utilised was Openly Straight (2013) by Bill Konigsberg with the method of data generation being document analysis. The main findings were that queer texts should form part of the language classroom (as learners may read these texts critically and emphatically) and that Bill Konigsberg’s Openly Straight contained social messages that can contribute to positive influences on queer- and heterosexual readers.