scholarly journals A Study On Bharat Ratna Dr.M.G.Ramachandran’s Philosophical Film Songs With Special Reference to the Socialistic And Communistic Ideas It Contains - An Academic Comparative Analysis with the Theory of Socialism as Propounded by Karl Marx

2017 ◽  
Vol 5 (1) ◽  
pp. 46
Author(s):  
P. Sarvaharana ◽  
P. Thiyagarajan ◽  
S. Manikandan

Providing quality songs in movies has become paramount importance on the part of film Producers and Directors. Of late the heroes of the movies are also concerned about the contents of the song; as they play the main role in the movies and are watched by millions of fans. Super-hero who attained matinée idol status like Makkal Thilagam Bharat Ratna Dr.M.G.Ramachandran took upon himself the responsibility of not only producing quality movies but also paid personal attention to produce quality songs as he thought that good messages can be disseminated through his film songs to millions of his fans. It is due to this fact Bharat Ratna Dr.M.G.Ramachandran sought the assistance of eminent lyric-writers like the great Kannadasan, Valli, Marudhakasi, Udumalai Narayana Kavi and also encouraged other emerging writers like Na Muthulingam to write songs for his movies. In view of such extraordinary efforts made by Puratchi Thalaivar Dr.MG Ramachandran, his film songs contain ideas of ethics, education, equity and justice (communism), eradication of corruptive practice. In this paper an attempt has been made to deal with Twelve of such songs that contain SOCIALISTIC AND COMMUNISTIC IDEAS and a comparative analysis has been made with the Socialistic and Communistic theory as propounded by the Great Karl Marx. This paper consist of:- Need of the Present Study; Scenario of Cinema; Scenario in Tamil Film Industry; A Bird’s Eye View of Dr.M.G.Ramachandran’s life history. After introducing Karl Marx, the theories propounded by him such as the Alienation and Materialism are discussed; thereafter the Grounds for Comparison has been arrived; then the efforts taken by Dr.MG.Ramachandran to produce quality songs has been discussed. Finally a Comparative Analysis of the twelve songs identified that contain the ideas of Socialism and Communism has been discussed in detail.

2014 ◽  
Vol 184 (5) ◽  
pp. 673-683 ◽  
Author(s):  
Marlène Gamelon ◽  
Olivier Gimenez ◽  
Eric Baubet ◽  
Tim Coulson ◽  
Shripad Tuljapurkar ◽  
...  

Ars Adriatica ◽  
2016 ◽  
pp. 103
Author(s):  
Barbara Španjol-Pandelo

Matteo Moronzon, a member of the Venetian family of woodcarvers, was mentioned for the first time in 1407 according to the present known archival documents. Probably after being trained in his father's workshop in Venice, he moved to Zadar with his family – his wife Francisca and sons Pietro and Francesco. In 1418 he undertook the commission of furnishing carved choir stalls for the cathedral of St. Anastasia in Zadar. Various archival documents testify that Matteo lived and worked in Zadar for many years. Therefore it can be assumed that he probably founded his own workshop in Zadar where his son Francesco was trained too. Apart from the attempt to reconstruct Matteo's life and career, the aim of this paper is to interpret one important woodcarving work of art preserved in situ: choir stalls in the former cathedral of Rab, today the arch parish church of the Assumption of the Blessed Virgin Mary in Rab. Without doubt Matteo was the master carver in the production of the choir stalls in Zadar. Since he lived in Zadar it was not unusual that he had the main role in carving the stalls. In Zadar the selection of motives is more balanced and there are no significant differences in the modelling of decorative elements. However, the question whether Matteo carved absolutely everything or he had assistants arises. Considering the amount of work that had to be done it must be assumed that he had assistants who participated in work and helped him to shape the stalls. However, in literature Matteo was considered the only and undisputed author of the choir stalls in Zadar, mostly because of the preserved document. The analysis of the choir stalls in Rab by Ivo Petricioli as well as their evident formal and stylistic similarities with the stalls from the cathedral in Zadar have led to the general acceptance of the hypothesis that they were carved at the workshop of Matteo Moronzon. However, a comprehensive comparative analysis that could confirm that hypothesis was still missing. The analysis of the details and the whole led to the overall conclusion that there were a huge number of similarities between the choir stalls in Rab and Zadar. Therefore it was concluded that Matteo was the principal designer of the choir stalls in Rab who also carved the best parts in Rab, while others, less successful parts, were made by his apprentices and assistants who at the time lived on the island of Rab. In this respect, if Matteo was accepted as the author of the choir stalls of the cathedral in Zadar he must also be accepted as the author of the choir stalls from the excathedral in Rab.


2020 ◽  
Vol 62 (8) ◽  
pp. 1240
Author(s):  
Г.В. Козлов ◽  
И.В. Долбин

The comparative analysis of reinforcement efficiency (modulus of elasticity enhancement) of polymers with carbon nanotubes and grapheme was performed using the methods of fractal analysis and percolation theory. It has been shown that such comparison is correct only at the same structure of the indicated anisotropic nanofillers in polymer matrix. For carbon nanotubes reinforcement efficiency depends strongly on their geometry, i.e. length and outer diameter. In addition the main role in polymers reinforcement play not initial characteristics of nanofiller, but its structures, obtained in production process of nanocomposites. In technological aspect carbon nanotubes are more suitable for manufacture of high-modulus nanocomposites, that is due to possibility of simple enough realization of their orientation.


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