RACP WRITING WORKSHOP

1981 ◽  
Vol 2 (3) ◽  
pp. 153-153
Author(s):  
Derek Martin
Keyword(s):  
2019 ◽  
Author(s):  
Tanya Lynn Jackson ◽  
Scott Allen Robbins
Keyword(s):  

Public Voices ◽  
2016 ◽  
Vol 12 (2) ◽  
pp. 88
Author(s):  
Diane Ketelle

This manuscript recounts the writing of inmates in a writing workshop project taught by the author at San Quentin State Prison. Through the process of writing personal narratives the inmates came to render new meaning from their lived experience. The process of writing bypassed rigid defenses developed in prison, and inmates were able to write and share without being left vulnerable. Writing, in this way, helped inmates who participated to escape the monotony and boredom of prison life and provided opportunity for reflection and personal growth.


2014 ◽  
Vol 11 (1) ◽  
pp. 40-45
Author(s):  
Colette Nys-Mazure

La littérature est un texte, un tissu de relations de soi à soi, de soi aux autres, d’innombrables autres passés et à venir, par le biais du langage. Cet outil premier semble appartenir à tous, mais en réalité il n’est pas à la portée de chacun. Il serait donc intéressant de relater l’expérience angevine que je viens de vivre avec Lire~Ecrire~Compter (LEC), une association pour la promotion des savoirs, l’insertion sociale et professionnelle, créée en 1986, qui lutte contre l’illettrisme. L’une de ses approches originales, la “lecture-plaisir”, consiste à proposer à des volontaires de participer à la création d’un livre. Depuis 2004, l’association permet à ses “apprenants” de rencontrer un écrivain reconnu afin de participer à des ateliers d’écriture. Le fruit de leur travail commun est retranscrit dans la première partie de l’ouvrage publié ; la seconde nait de la libre créativité de l’auteur. Deciphering one’s life and writing it Literature is a text, a fabric of relations between oneself and oneself, between oneself and others – countless past and to come –, by the means of language. This tool is supposed to belong to all, but is in fact not accessible to everybody. In this respect, an experience I just went through in Angers (France) is highly interesting. Lire-Écrire-Compter (Read-Write-Count), an association for the promotion of knowledge, social and professional inclusion, and against illiteracy since 1986, proposes to its students to take part in the creation of a book. Since 2004, this program called “Reading-pleasure” offers students the opportunity of a “writing workshop” with a renowned writer. The first part of the published book presents this collective work; the second part originates from the author’s own creativity.


2021 ◽  
Author(s):  
Barbara Wiseheart Sarnecka

Research is all about writing, but most PhD programs don’t teach students how to produce the writing needed to get a PhD, publish research, or win fellowships and grants. Plus, the academic environment can feel as cold and harsh as the South Pole. But just as penguins form social huddles to survive the Antarctic winter, researchers can form writing groups to help them learn how to write more, write better and be happier in academia. The Writing Workshop tells you everything you need to know about forming and running a successful writing group, and provides invaluable tips on how to become better at and more comfortable with academic writing. Written by a professor of Cognitive Sciences at the University of California, this friendly guide is aimed at early-career researchers such as PhD students, postdoctoral scholars and new faculty members. Chapter topics include: How to form and run a writing workshop; how to plan research and writing projects over the long (one to five years) medium (ten to fifteen weeks) and short (one week) terms; how to establish and maintain a regular daily(ish) writing practice; how to write a literature review, research article, funding proposal or presentation; and how to revise for clarity at the document, paragraph, sentence and word levels. There are templates to help students set writing goals and log their writing practice, plus in-class exercises to help writers learn to hear the difference between effective and ineffective writing. Running through the book is the theme of well-being, and the idea that creativity comes from self-compassion rather than self-punishment. Writing is not only a way of producing scholarly output, but also a way of thinking, learning and generating new ideas. A regular writing practice grounded in a supportive community is something that every early-career scholar deserves and, with this book, it’s something every early-career scholar can have.


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