The Conduct of Spiritual Autobiography in Jane Eyre

Renascence ◽  
1984 ◽  
Vol 37 (1) ◽  
pp. 2-15 ◽  
Author(s):  
Robert James Merrett ◽  
2021 ◽  
Vol 75 (4) ◽  
pp. 473-494
Author(s):  
Amy Coté

Amy Coté, “‘A Handful of Loose Beads’: Catholicism and the Fictional Autobiography in Charlotte Brontë’s Villette” (pp. 473–494) This essay considers the influence of confession as a Catholic liturgical sacrament and as a literary genre informing the fictional autobiography in Charlotte Brontë’s Villette (1853). In her earlier novel Jane Eyre (1847), Brontë used the tradition of Protestant spiritual autobiography as a literary genre focused on the individual’s spiritual development. Villette, written as it was at the height of a wave of anti-Catholic sentiment in England in the 1840s and 1850s, has understandably been read as a nationalistic rebuke of Catholicism. This essay complicates this narrative, and shows how Brontë looks to Catholic liturgical traditions, most notably the sacrament of confession, to trouble the generic conventions of the Protestant spiritual autobiography and, by extension, of fictional autobiography.


Author(s):  
Miles Hollingworth

We are lured by the sounds of the numbers stations—by the sounds of infinity— away from what men actually saw and touched and out into a voyeuristic thrill. But as we listen in on the numbers as they speak to each other, we ourselves begin to be changed into a hideous likeness to them. Because that, of course, is the great danger of any ‘listening in’. It never takes place neutrally or passively. It is because of this that the Word of God can save men. And it is also because of this that the numbers station of the totality of atomic facts can destroy them. Because listening is never about the content of what is being transmitted; it is about the tuning in. In this chapter, we learn the sense in which the Tractatus was a spiritual autobiography.


2008 ◽  
Vol 36 (2) ◽  
pp. 317-329 ◽  
Author(s):  
Julia Sun-Joo Lee

InImperialism at Home, Susan Meyer explores Charlotte Brontë's metaphorical use of race and empire in Jane Eyre. In particular, she is struck by Brontë's repeated allusions to bondage and slavery and wonders, “Why would Brontë write a novel permeated with the imagery of slavery, and suggesting the possibility of a slave uprising, in 1846, after the emancipation of the British slaves had already taken place?” (71). Meyer speculates, “Perhaps the eight years since emancipation provided enough historical distance for Brontë to make a serious and public, although implicit, critique of British slavery and British imperialism in the West Indies” (71). Perhaps. More likely, I would argue, is the possibility that Brontë was thinking not of West Indian slavery, but of American slavery.


1948 ◽  
Vol 11 (3) ◽  
pp. 184-185
Author(s):  
Justice Vaisey
Keyword(s):  

1971 ◽  
Vol 26 (3) ◽  
pp. 370-376 ◽  
Author(s):  
Ian Jack ◽  
Margaret Smith
Keyword(s):  

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