Once upon a time in Italy: the Westerns of Sergio Leone

2005 ◽  
Vol 43 (02) ◽  
pp. 43-0836-43-0836
Keyword(s):  
Author(s):  
Christian Uva

Spectacle, myth, fable. These are the main categories that have traditionally defined Sergio Leone’s cinematic production, but it is necessary to underline how much they are fueled by a profound, layered political interest. Leone’s cinema bears witness to a critical outlook both on the subjects it showcases and on its representational means. Far from any militancy and escaping ideological classifications, Leone’s perspective is problematic and unreconciled: it is grounded in the coexistence of different elements in a state of perennial productive tension and instability. The adjective “political” takes on a deeper meaning when it is used to denote the director’s ability to narrate and interpret key aspects of Italian national identity and history. The abstract quality of his production relies on an original use of different genres, particularly sword-and-sandal and the Spaghetti Western, which allowed Leone to insert frequent symbolic references to both history and then-current events. On the stylistic level, his constant disobedience to classical models and his need to revolutionize forms were motivated by an authorial desire to make films politically, though still within a conception of cinema as an industrial spectacle.


2021 ◽  
pp. e20210010
Author(s):  
Mahmoud Omar ◽  
Trana Hussaini ◽  
Eric M Yoshida
Keyword(s):  

Italica ◽  
2001 ◽  
Vol 78 (3) ◽  
pp. 432
Author(s):  
Albert Sbragia ◽  
Christopher Frayling
Keyword(s):  

Author(s):  
Christopher Frayling
Keyword(s):  

This chapter questions conceptions of ‘authenticity’ by looking at how Italian Westerns responded to well-established ethnic images within Hollywood Westerns, which were themselves ‘inauthentic’ in the first place: those of ‘Irishness’. As Italians forged their own interpretation of the Western myth, transposing numerous elements from Hollywood while cutting the genre adrift from its nation-building imperative, it asks, in what form did the Hollywood genre's ubiquitous negotiation with a stereotyped Irish ethnicity survive, and what significance did this hold in this cultural moment? Taking Sergio Leone's Duck, You Sucker! (Giù la testa, 1971) as a key case study, it charts the labyrinthine intertextual journey through Hollywood's representations of Irish culture on which Leone and his crew embarked The chapter concludes that in the Italian Western, ‘Irishness’ exists as part of a larger signifying structure surrounding a reworked, magnified and updated cinematic imaginary, rather than a purposeful reference to contemporary events in Ireland.


2020 ◽  
Vol 7 (2) ◽  
pp. 212-216
Author(s):  
Rodrigo Carreiro
Keyword(s):  

Esta comunicação oferece uma análise do recém-lançado livro "Sergio Leone: Cinema as Political Fable"(Christian Uva), que integra um movimento de revalorização crítica do diretor italiano, prestando especial atenção como ideias políticas complexas, e muitas vezes ambivalentes, se infiltravam em filmes que pareciam, à primeira vista, mero entretenimento apolítico.


2017 ◽  
Vol 0 (018) ◽  
pp. 62
Author(s):  
Alejandro Núñez-Alberca
Keyword(s):  

Author(s):  
Filipe Falcão
Keyword(s):  

Resenha de: CARREIRO, Rodrigo. Era uma vez no spaghetti western - O estilo de Sergio Leone. São José dos Pinhais, PR: Editora Estronho, 2014, 304 p.


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